08 Jul 2015

Slumberless Party: "The Overnight" and "The Wolfpack"

By Mike Schulz

Adam Scott and Taylor Schilling in The OvernightTHE OVERNIGHT

Even with a goatee, Adam Scott has such a sweet baby face, and can exude such endearing boyishness, that when you see him in an early playground scene in his latest film, you're half-surprised that a more towering adult isn't pushing him on a swing. Yet longtime fans know that Scott also possesses a canny understanding of how to employ his naturally guileless countenance for tension (as in the 2002 thriller High Crimes) or melancholy (HBO's sadly ignored Tell Me You Love Me) or acerbic wit (Party Down, Parks & Recreation, and numerous et ceteras). And that chameleon-ic talent makes him perhaps perfectly cast in the new comedy The Overnight, writer/director Patrick Brice's three-quarters-successful chronicling of an alternately invigorating and deeply uncomfortable grown-up sleepover.

20 Jun 2015

Emotion Picture: "Inside Out"

By Mike Schulz

Inside OutINSIDE OUT

There appear to be two ideal ways to discuss, in review form, Pixar's hugely entertaining animated comedy Inside Out. One is through something short and sweet that suggests the experience of director Pete Docter's hilarious, incredibly sophisticated charmer without giving away all of its best jokes and most trenchant observations. The other is through a dissertation of some 20,000 words that digs deeply into the rather staggering psychological nuance of this thing, with lengthy footnotes exploring, say, The Role of Abstract Thought in the Prepubescent Female Psyche, or The Singular Comedic Melancholia of Phyllis from The Office. I'm opting for short(-ish) and sweet. And you're welcome.

11 Aug 2013

Air, Sea, and Land Travels: "Planes," "Percy Jackson: Sea of Monsters," and "We're the Millers"

By Mike Schulz

PlanesPLANES and PERCY JACKSON: SEA OF MONSTERS

From a grown-up's perspective, I guess that as far as family entertainment at the cineplex goes, Disney's animated Planes and the mythology adventure Percy Jackson: Sea of Monsters could both be considered "harmless." But can you really apply that adjective when something, in both movies, is indeed being killed - namely, your time?

28 Jul 2013

Logan's Run: "The Wolverine" and "The To Do List"

By Mike Schulz

Hugh Jackman in The WolverineTHE WOLVERINE

As much as I adore the character and the actor who has now played him in six films, I'll admit that I entered director James Mangold's comic-book spectacular The Wolverine with more than a touch of trepidation, as I was still smarting from the bloated, boring mess that was 2009's X-Men Origins: Wolverine. Weren't there other costumed crime-fighters in the X-Men universe - Anna Paquin's Rogue, perhaps, or Ben Foster's Angel - who might've enjoyed their own solo projects before we were given yet another go-around with the growling softie with the adamantium claws and questionable grooming habits? Hadn't poor Hugh Jackman, and poor us, suffered enough?

15 Jul 2012

Cold Turkey: "Ice Age: Continental Drift" and "Safety Not Guaranteed"

By Mike Schulz

Ice Age: Continental DriftICE AGE: CONTINENTAL DRIFT

With Ice Age: Continental Drift, we are now four movies into the apparently never-ending 20th Century Fox franchise, and it might finally be time to ask: Has there ever been a less animated animated lead than Ray Romano's woolly mammoth Manny?

29 Apr 2012

Prenuptial Agreement: "The Five-Year Engagement," "The Pirates! Band of Misfits," "The Raven," and "Safe"

By Mike Schulz

Emily Blunt, Jason Segel, Chris Pratt, and Alison Brie in The Five-Year EngagementTHE FIVE-YEAR ENGAGEMENT

Say what you will about the current state of movies. Yet in the history of the medium, have the actors who populate film comedies ever been as across-the-board-excellent as they are right now? It took about 20 minutes for this question to pop into my head during The Five-Year Engagement, and once it did, I'm not sure I ever stopped pondering it; from the stars to the supporting cast to the bit players who show up for all of three seconds, director Nicholas Stoller's rom-com features an embarrassment of performance riches. The movie itself? Eh, it's okay.

25 Sep 2011

Contract Highs: "Moneyball," "Killer Elite," and "Abduction"

By Mike Schulz

Brad Pitt and Jonah Hill in MoneyballMONEYBALL

On paper, the casting of Brad Pitt as Oakland A's General Manager Billy Beane in Moneyball must have seemed inspired. On screen, it's so, so much better than that. Pitt has, of course, given many wonderful performances over the past two decades (and just as many blandly acceptable or downright dreary ones). But to my mind, his Billy Beane - driven, hopeful, cocky, incensed, funny, tender, and smart as hell - is the actor's first chance to employ all of his gifts in the service of an emotionally expansive, fully shaped character, and Pitt's beautiful and generous work here is truly a sight to behold. Director Bennett Miller's last feature film was his 2005 debut Capote, which netted Philip Seymour Hoffman a Best Actor Oscar. With Moneyball, Miller might find himself batting 2-for-2 for his stars in that category.

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