Liam Neeson in Non-StopNON-STOP

Every Academy Awards season, the idea of adding a Best Casting category appears to gain some traction among film journalists and professionals. (This past autumn saw the limited release of a documentary - Tom Donahue's Casting by - devoted to the subject, and Woody Allen, whom one would've thought indifferent to the Oscars at best, even wrote an open letter to the Hollywood Reporter in support of a casting trophy.) I'm personally fine with restricting the ceremony to the two dozen categories we do have, but if such recognition were to be included, voters could do worse than to consider Amanda Mackey and Cathy Sandrich Galfond - casting directors for the enjoyably ludicrous Non-Stop - for the prize. To be sure, it doesn't take much wit to suggest that Liam Neeson play a grieving alcoholic with a bad temper and a gun. But casting, as two beleaguered flight attendants, 12 Years a Slave's abused slave Patsey opposite Downton Abbey's rigid Lady Mary? Now that's witty.

Rise of the GuardiansRISE OF THE GUARDIANS

There appears to be a certain amount of bafflement, among those who track such things, as to why Rise of the Guardians has failed to make its expected dent on the late-autumn box office. Did the action comedy open too soon after the release of the similarly animated Wreck-It Ralph, thereby splintering its audience? Was the casting of Santa Claus, the Easter Bunny, and the Tooth Fairy as makeshift superheroes an idea deemed too juvenile for viewers over the age of three? Was the film's title generic and confusing, leading potential crowds to expect the arrival of the owls of Ga'Hoole?

If I may, I'd like to posit a different, simpler theory: The movie just sucks.