Chappie

CHAPPIE

The sci-fi-action-comedy-thriller Chappie is the tale of an insentient creature who gains a soul and learns to love, just like Pinocchio and WALL•E and Short Circuit's Number 5. But this is a film by Neill Blomkamp, the writer/director of the violence- and profanity-laden District 9 and Elysium, so don't expect Disney-style warmth or Guttenberg-ian sweetness from this similarly R-rated outing. Instead, prepare to be amazed - though "stupefied" is the more appropriate term - by just how mawkish a movie can be despite boasting a title character who proves expert at carjacking, and whose most frequent malapropism involves his spirited twist on a 12-letter cuss word.

Angelina Jolie in MaleficentMALEFICENT

Disney's Maleficent is director Robert Stromberg's re-imagined fairy tale told from the perspective of, and with much empathy for, the sorceress who put the "Sleeping" in Sleeping Beauty. If this is the beginning of a trend - one in which the studio, in effect, remakes its animated classics so that their evil villains are no longer evil or villainous - I can't wait to see what's in store for us next. A baby Scar who seeks vindication after other lion cubs make fun of his unfortunate birthmark? A young, svelte Ursula the Sea Witch driven to malice and gluttony when her sister is turned into caviar?

Jaden Smith and Jackie Chan in The Karate KidTHE KARATE KID

The opening scenes in director Harald Zwart's The Karate Kid remake, with the preternaturally confident and magnetic Jaden Smith taking over the Ralph Macchio role, are really good. But your first indication that the movie might wind up being really great - or, at the very least, a really great time - comes with its introduction of Mr. Han, the Pat Morita substitute played here by Jackie Chan.

District 9DISTRICT 9

Director Neill Blomkamp's District 9 is a science-fiction/horror/action flick that finds a race of malnourished, understandably irate alien creatures being forcibly detained in a Johannesburg internment camp. It's also, if you can stomach the frequent bursts of bloodshed and gooey splatter, an almost insanely good time, an unapologetic "B" movie elevated to "A" status through wizardly filmmaking, macabre humor, thematic cleverness, and some of the most inventive CGI work in years.