30 Aug 2015

The Wails of August: "War Room," "We Are Your Friends," "The Diary of a Teenage Girl," and "No Escape"

By Mike Schulz

Karen Abercrombie and Priscilla C. Shirer in War RoomFriday, August 28, 10 a.m.-ish: The day begins with the pro-faith drama War Room, in which a harried working mom is guided - or more accurately bullied - into surrendering to God's will and forgiving her husband for his inattentive, verbally abusive, potentially adulterous ways. It's kind of exactly the movie you expect. It's also one of the most revolutionary movies of its type yet produced, because even a few years ago, it would've been unimaginable for a film skewing to America's religious right to feature an African-American family at its core.

07 Apr 2013

Worst Intervention Ever: "Evil Dead," "Olympus Has Fallen," and "Tyler Perry's Temptation: Confessions of a Marriage Counselor"

By Mike Schulz

Jane Levy in Evil DeadEVIL DEAD

While I like the movie just fine, I'm not enough of a fanatic for Sam Raimi's 1981 splatter classic The Evil Dead to get in a twist about the existence of director Fede Alvarez's new, definite-article-free remake Evil Dead. (It's when Hollywood inevitably remakes Raimi's priceless horror sequel Evil Dead II that we're gonna have problems.) But despite being mostly entertained by Alvarez's beyond-bloody outing, especially during its second half, I do have to question the decision to make it, for so much of its length, so bloody serious. This is a film, after all, in which a demon is released by a supernatural incantation, nail guns and electric carving knives are the weapons of choice, and one character escapes a (more-)dreadful fate by enacting a speedier version of 127 Hours. How are we not asked to laugh at all this?

13 Mar 2011

L.A.-ians Vs. Predators: "Battle: Los Angeles," "Red Riding Hood," and "Mars Needs Moms"

By Mike Schulz

Aaron Eckhart in Battle: Los AngelesBATTLE: LOS ANGELES

My number-one, hands-down, love-it-to-death favorite scene in the science-fiction action spectacle Battle: Los Angeles occurs roughly 40 minutes into the film. Hundreds of meteors have fallen to earth in urban centers around the globe, and are revealed to be teeming with aliens, who waste no time in annihilating everything and everyone in their paths. After engaging in long sequences of L.A.-based retaliation, a stalwart band of Marines is helicoptered into Santa Monica to fend off one of these attacks, and a frightened lieutenant ducks into in an apartment complex's laundry room, where he watches the horrific destruction through a window. Suddenly hearing a noise behind him, the man whips around, expecting to come face-to-face with one of the monstrous invaders from another world. Yet instead of terror, the lieutenant's face quickly registers relief, as the sound he heard was just that of the washing machine's spin cycle.

You know what that means, right? That in the midst of this apocalyptic showdown that, as we've witnessed on TV newscasts, has been going on for several hours now, someone in that apartment complex decided it was a good time to throw in a load of laundry.

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