Nia Long, Wendi McLendon-Covey, Zulay Henao, and Cocoa Brown in Tyler Perry's The Single Moms ClubTYLER PERRY'S THE SINGLE MOMS CLUB

In Tyler Perry's new movie, a quintet of women with seemingly nothing in common beyond their single-parent status decide to ... .

I'm sorry. Can we stop for a moment? Tyler Perry has another new movie?! Is the yuletide corpse of A Madea Christmas even cold yet?

Jason Biggs and Woody Allen in Anything ElseANYTHING ELSE

As a lifelong fan of Woody Allen's cinematic oeuvre, the last five years have been rather painful. Sure, Small Time Crooks was a lot of fun and Sean Penn delivered a truly inspired performance in Sweet & Lowdown, but The Curse of the Jade Scorpion, though intermittently amusing, felt pretty stale, and Celebrity and last year's Hollywood Ending were just plain awful. (Part of being a true fan includes admitting when your heroes fail, and feeling somewhat heartbroken when they do.)

Samuel L. Jackson and Toni Collette in Shaft

SHAFT and FANTASIA 2000

For about a month now, when friends have asked me what new movies they should see, I've come dangerously close to drawing a blank. I'd mention Gladiator (which, naturally, most of them had already seen) and Small Time Crooks (which, sadly, most were uninterested in). Then I'd generally guide them in a different direction altogether, like Paul Thomas Anderson's magnificent Magnolia, which recently returned to Moline's discount cineplex. Or video and DVD, with the recent release of two extraordinary documentaries: Chris Smith's hilarious and touching American Movie, probably the best film of 1999 that wasn't seen locally, and Errol Morris' disturbing but brilliant Mr. Death: The Rise & Fall of Fred A. Leuchter, Jr.

Woody Allen and Elaine May in Small Time CrooksSMALL TIME CROOKS

Woody Allen's latest offering is such a light and enjoyable work that it's bound to be underrated, to be seen as a throwback to the "early, funny" movies that Woody fans hold such a fondness for. And yes, it has some of the go-for-broke spirit that energized movies like Sleeper and Bananas, and some of the same slapstick silliness, too.