Tom Hanks and Thomas Horn in Extremely Loud & Incredibly CloseEXTREMELY LOUD & INCREDIBLY CLOSE

The protagonist of director Stephen Daldry's Extremely Loud & Incredibly Close - based on Jonathan Safran Foer's famed 9/11/01-themed novel and adapted by screenwriter Eric Roth - is Oskar Schell, an 11-year-old Manhattanite who tells a new acquaintance that he was once tested for Asperger's syndrome, but that "the results weren't definitive." My first thought upon hearing that admission was that Oskar's folks really should've sought a second opinion, because with young actor Thomas Horn tearing through breathless reams of stream-of-consciousness dialogue, his condition seemed definitive as all-get-out. My second thought, which I only fully composed during the end credits, and which I apologize for in advance, was that watching Extremely Loud was like watching a movie while an 11-year-old with Asperger's yammers in your ear for 130 minutes.

Meryl Streep in DoubtDOUBT

Based on his Pulitzer Prize-winning play, writer/director John Patrick Shanley's period drama Doubt - set in 1964, and concerning a nun who suspects a priest of sexual misconduct with an altar boy - isn't much of a movie. Shanley's previous directorial effort was 1990's Joe Versus the Volcano, and it's a shame he wasn't able to get in more practice over the last 18 years; in an attempt to gussy up the visual blandness that accompanies most theatrical adaptations, Shanley opts for a series of high- and low-angle shots and symbolic thunder, lightning, and wind effects that oftentimes make Doubt resemble a satire of a low-budget horror flick. And it's still visually bland.