John Malkovich and Max Minghella in Art School ConfidentialART SCHOOL CONFIDENTIAL

I've read critics who have described Terry Zwigoff's Art School Confidential as nihilistic, sour, and mean-spirited. They're saying it like that's a bad thing. Working with screenwriter Daniel Clowes - adapting the film from his comic book, and again collaborating with the director who helmed 2001's Clowes-scripted Ghost World - Zwigoff has, here, fashioned a wonderfully nihilistic, sour, and mean-spirited comedy; it might take easy potshots at the politics and posturings of the art community, but those potshots are funny and clever, and the film's refusal to sentimentalize any of its characters (even our protagonist) is incredibly refreshing. Still, the movie has been met with much dissatisfaction, if not outright annoyance. Art School Confidential seems, to me, the most thoroughly misunderstood movie of the year.

Rene Russo, Jason Alexander, Robert De Niro, Rocky, and Bullwinkle in The Adventures of Rocky & BullwinkleTHE ADVENTURES OF ROCKY & BULLWINKLE

One of the happier surprises of last summer was the release of South Park: Bigger, Longer, & Uncut, a marvelously written musical comedy that transcended its source material and shot off into a madcap animated universe all its own, raising the bar for all future TV-show-turned-feature-film projects. And while it would be great to report that the film version of The Adventures of Rocky and Bullwinkle approached South Park's level of cinematic exuberance, the filmmakers are facing an uphill battle: The animated series this one is based on is already such a whirligig of action, cliffhangers, and verbal and visual puns that raising the ante on it as a movie seems kinda pointless. (Clever and funny though it often is, the South Park TV series has nothing on the brilliance of the original R & B series.)