PLATTEVILLE, WI (07/12/2013)(readMedia)-- University of Wisconsin-Platteville announced its 2013 spring semester Dean's List. Students receive this academic honor in the College of Business, Industry, Life Science and Agriculture and the College of Liberal Arts and Education must achieve a 3.75 grade point average and students in the College of Engineering, Math and Science must earn a 3.5 grade point average.

Among those who made the Dean's List were,

Dustin Belt from Morrison, IL,

Mitchel Christensen from Calamus, IA,

John Christman from Davenport, IA,

Christine Darland from De Witt, IA,

Mary DePauw from Port Byron, IL,

Paige Ehrecke from Long Grove, IA,

Joseph Fisher from Port Byron, IL,

Emily Herrick from Moline, IL,

Cassandra Heusinkveld from Morrison, IL,

Michael Hoffmann from Davenport, IA,

Kaela Hoggard from Taylor Ridge, IL,

Micah Klahn from Wheatland, IA,

Joseph Kluever from Bettendorf, IA,

Sara Marzorati from Port Byron, IL,

Arrington Muhl from Wheatland, IA,

Brittany Quick from Moline, IL,

Dugan Repass from Sterling, IL,

Joshua Riley from Prophetstown, IL,

Jonathan Schweiss from Sterling, IL,

Alexander Scroggins from Sterling, IL,

Lori Witte from Moline, IL,

Andrew Wright from Hampton, IL,

UW-Platteville, founded in 1846, is located in the southwestern corner of Wisconsin, near the Iowa and Illinois borders. The University, the fastest-growing four-year school in the 13-college University of Wisconsin System, enrolls approximately 7,500 undergraduate students.

Tuesday, July 09, 2013

Sen. Chuck Grassley of Iowa is looking into how hospitals are using a discount prescription drug program, known as 340B.  Certain hospitals appear to be making sizeable profits from the program at the expense of Medicare, Medicaid and private health insurance.  Grassley has asked the federal agency in the charge of the program, the Health Resources and Services Administration, about its oversight of the program and corresponded with several individual hospitals.  He made the following comment on a new report responding to criticism of program uses.

"A report by an association representing the affected hospitals is not objective.  Through my inquiries, I've been able to document that several hospitals are profiting from the 340B program rather than simply providing discounted drugs to the uninsured.  Instead of using the deeply discounted drugs these hospitals receive for the most vulnerable in need, the hospitals are up-selling those drugs to patients with Medicare and private insurance because those patients can pay more. The hospitals are keeping the difference.  Even if the 340B program allows this kind of upselling, that doesn't make it right.  It also isn't right that we don't know how hospitals are reinvesting 340B revenue. Nothing that I know of requires 340B hospitals to report how they use program savings and revenue.  They could use the money for uninsured patients or they could use the money toward building a new wing. Without verification and oversight by HRSA, it's impossible to know how each hospital uses the program.  Each hospital should provide public documentation of how it uses program proceeds.  Then the public would be able to evaluate claims of how hospitals use the money."

A Journey of Hope to Enhance the Quality of Life

DAVENPORT, IA- On Wednesday, July 17, a team of cyclists participating in the 26th Journey of Hope, presented by KRG Capital, will arrive in Davenport as part of a nine-week, 4,000-mile cycling event across the country to raise funds and awareness for people with disabilities.

That evening, the team will have dinner and a Friendship Visit with the City of Davenport Parks and Recreation at 5:00 p.m. at their pool.

Journey of Hope is a program of Push America, the national philanthropy of Pi Kappa Phi Fraternity, which raises funds and awareness for people with disabilities. The Journey of Hope team consists of men from Pi Kappa Phi chapters across the country. The team will cycle an average of 75 miles per day, beginning in San Francisco and Seattle and ending in Washington, D.C. on August 10.

At stops across the country, the three routes (North, South and TransAmerica) will distribute grants directly to assist organizations in serving people with disabilities. For the team, the real journey will not be on a bike, but spending time with the people for whom they are riding. The Journey of Hope team members will spend every afternoon with people with disabilities in many different community events and activities. These men are striving for community inclusion of people with disabilities and are helping to break the barriers of society that keep people of all abilities from living life to the fullest.

The organization was founded in 1977 with the hope of committing its members to enhance the lives of people with disabilities. With the combined efforts of sponsors and individual team members, this year's Journey of Hope will raise more than $500,000 on behalf of people with disabilities. Push America and Pi Kappa Phi have raised over $15 million to date and continue to be on the cutting edge of the disability movement.

For more information about this event or more on Push America's summer programs, please contact Josh Sasek at (980) 318-5393 or log on to www.pushamerica.org.

A Green River Flows Through the QC Theatre Workshop, July 5 through 14
When the QC Theatre Workshop debuts its world-premiere presentation of A Green River, running at the Davenport venue July 5 through 14, author Aaron Randolph III will celebrate the end of a lengthy journey, as he's spent the last five years writing, re-writing, and continually developing his powerful combat-veteran drama.
Yet considering that the production's rehearsal process, as Randolph says, has been a truly collaborative effort between himself, director Daniel DP Sheridan, and the show's five-person cast - with entire scenes sometimes shaped primarily through improvisation - he won't be celebrating alone.
"Everyone has contributed to the finished product," says Randolph, "either through making suggestions for dialogue changes, or helping organize the material in more effective ways, or reinterpreting lines in ways I never would've imagined on my own. And while this sort of collaboration can sometimes turn 'simple fixes' into major undertakings, the end result is a much stronger play."
Adds Sheridan, "The depth brought to this production by the artists involved is what makes this one of the most dynamic theatrical pieces I've ever been involved with. There have been some heated discussions and disagreements, but they've only made us delve even deeper into this story."
A Green River centers on the character of Erik (portrayed by Thomas Alan Taylor), a young Army veteran who has returned from overseas to a world he now struggles to recognize. Told through a kaleidoscopic blend of present-day sequences, flashbacks, memories, and dreams, the 90-minute drama explores the frequently harsh realities of being a soldier, a husband, a son, a brother, and an expectant father - obligations that weigh heavily on Erik's already troubled mind.
Yet despite A Green River's weighty material, Sheridan states, "The script is incredibly engaging and really captures the scope of Erik's life. And in any life, there are moments of great joy and sorrow. I really think the audience will have a full emotional experience, because this play is heartbreaking, funny, scary, honest, dangerous, and thrilling."
"The show is all about very human people dealing with wide ranges of emotions," adds Randolph, whose production also features Jessica Sheridan, Joe Goodall, Jessica Denney, and Mike Schulz as significant figures in Erik's life. "So while there are some intense moments, there's also a great deal of love and humor in the play. I actually hope people find themselves laughing a lot during the course of the show."
Taylor, whose character is seen at many different ages over a two-decade period, is himself no stranger to the process of working on debuting scripts, as the actor appeared in five original theatrical productions as a student at the University of Iowa.
"Being part of a premiere really pushes you to re-attach to the role of storyteller," says Taylor, "because it's the only time the story itself is being developed along with the production. And it's very rewarding to be part of something that's never been done before. There's a higher sense of ownership for all of us, especially since this process has involved so much improvisation."
As for the role he has been entrusted with, Taylor says, "I love the challenge of bringing clarity and specificity to Erik's journey. It's extremely challenging to cover a 20-year arc, a harrowing struggle with civilian stresses, and the suffering of a modern American soldier all within the script's stream-of-consciousness structure. Aaron has done tremendous work, and being able to give breath to Erik through his words is quite an honor."
A Green River is also a considerable technical challenge, with the show's sprawling riverfront set, lighting, and original sound effects and music - composed by Randolph himself - contributing greatly to the show's tone.
"We are focused on using the technical elements to heighten the psychological state of Erik's character," says Sheridan. "We want the audience to not only witness, but feel, the stress Erik is under. And we're really pushing ourselves as artists in terms of expanding the experience at appropriate moments. We're holding nothing back in our design options."
Adds Randolph, "The play is about blending very natural things with very surreal things, and I'm trying to blend sound and music so there's a constant flow between reality and memory.
"I kind of have this sword-forging mentality about how I like to work," he continues. "When you make a sword, you shape the metal into place only to heat it back up and fold the metal again. By doing this over and over again, you end up with something that's effective and strong. And hopefully, that's what we're making here."
A Green River will be staged at the QC Theatre Workshop (1730 Wilkes Avenue, Davenport, IA) Friday, July 5, through Sunday, July 14, with show times at 7:30 p.m. on Fridays and Saturdays, and 3 p.m. on Sundays. Due to the play's adult language and violent scenes, this debuting drama is recommended for mature audiences, and as with the QC Theatre Workshop's previous productions, the show will be presented under the company's unique "Pay What It's Worth" policy, allowing audience members to determine their own ticket prices following each performance based on the quality of their theatrical experience.
For reservations and more information on A Green River, please call (563)650-2396 or e-mail info@QCTheatreWorkshop.org, and visit QCTheatreWorkshop.org and Facebook.com/QCTheatreWorkshop.
A Green River performance dates:
Friday, July 5 - 7:30 p.m.
Saturday, July 6 - 7:30 p.m.
Sunday, July 7 - 3 p.m.
Friday, July 12 - 7:30 p.m.
Saturday, July 13 - 7:30 p.m.
Sunday, July 14 - 3 p.m.
Location:
QC Theatre Workshop
1730 Wilkes Avenue, Davenport, Iowa, 52804
(563)650-2396
info@QCTheatreWorkshop.org
QCTheatreWorkshop.org
Facebook.com/QCTheatreWorkshop