THE INVISIBLE

Funny story. I caught director David S. Goyer's The Invisible on Friday afternoon, and later that evening, watched a TV show I'd taped a couple of days prior but hadn't yet seen. During a commercial break, there was a preview for The Invisible. Amazingly, it was the first trailer for the film I'd landed upon, which gave me the unusual opportunity to judge a preview based on its movie, rather than the other way around. And now that I have seen the teaser for the film - a 15-second scare-flick pastiche of screams, slash-edits, and a threatening shriek of "You're dead!!!" - I feel compelled to ask: Did The Invisible's marketing wizards not see the movie, or did they indeed see it, not have a clue about how to market it, and purposely create the most misleading trailer imaginable?

WORLD TRADE CENTER

Following Paul Greengrass' United 93, Oliver Stone's World Trade Center is the second 9/11-themed movie to arrive in the past four months - including A&E's Flight 93 and the Discovery Channel's The Flight That Fought Back, the fourth in the last year - and make no mistake: There will be more. There are so many tales to be told and so many elements of this national tragedy to focus on that, as cinematic subject matter, 9/11 is practically inexhaustible.

JARHEAD

In movies, nothing is harder to define than tone, and the tone of Sam Mendes' Jarhead, based on Tony Swofford's Gulf War memoir, is so elusive that, hours after it ends, you might still not know what to make of it. In many ways, the movie is like a two-hour expansion of Full Metal Jacket's first 40 minutes, as the 20-year-old Swofford (Jake Gyllenhaal) and his fellow Marine recruits, pumped up to an almost insane degree, train for their mission in the unbearable desert heat and prepare for battle. In Mendes' film, however, there is no battle for his protagonists to respond to; the war ends while the Marines' bloodlust is still reaching a boil. The film is, in many ways, about the maddening banality of service, and it has resulted in an occasionally maddening movie, but its shifting tones and air of unpredictability make it impossible to shake off; at the finale, you might not know exactly what you've seen, but you certainly know you've seen something.

MATCHSTICK MEN

Ostensibly, Ridley Scott's dramatic comedy Matchstick Men deals with Roy (Nicolas Cage), a professional con artist, connecting with Angela (Alison Lohman), the 14-year-old daughter he never knew he had, and trying to better himself as a father figure.