I love David Sedaris' writing, but on those rare occasions when I've heard the author read from his works on National Public Radio, I can only listen to him for a few minutes before feeling compelled to change the station. It's not that his high, reedy voice is unpleasant, exactly. But the caustic self-deprecation and derision that can make his stories so wickedly funny strike me as whiny and ungainly when Sedaris himself vocalizes them, and when he indulges in sentiment, his attempts at honest emotion ring hollow. (His "heartfelt" moments don't sound noticeably different from his sardonic diatribes.) This isn't a huge failing - Sedaris, after all, is a writer, not a performer - yet I still find that a little of him, vocally, goes a long way.
You can often pinpoint your favorite moment in a particular stage performance, when an actor does something so fresh or unexpected or wonderfully human that the worlds of fictional "reality" and actual reality blur in the most extraordinary way. Ray Gabica, in My Verona Productions' current presentation of Tuesdays with Morrie, doesn't provide one of these moments. If you try really hard, though, you might be able to narrow your favorites down to about 50.Subscribe & Listen to Reader Podcasts
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