05 Apr 2005

Graphic Novel Comes to Life in Stunning "Sin City": Also, "Beauty Shop"

By Mike Schulz

Mickey Rourke in Sin CitySIN CITY

Sin City, which is based on three graphic novels by comic-book legend Frank Miller, might not be Pulp Fiction, but it is most definitely pulp fiction, and dazzlingly entertaining pulp fiction, to boot.

01 Mar 2005

"Constantine"'s Moments of Inspiration Can't Save It: Also, "P.S."

By Mike Schulz

Keanu Reeves in ConstantineCONSTANTINE

At one point in Bryan Singer's original X-Men film, Wolverine stares at the fetishistic black-leather duds he and his teammates are wearing and asks, incredulously, "You actually go outside in these things?" To which Cyclops, in-joking on the character's original Marvel-comic attire, replies, "What, would you prefer yellow Spandex?" God, yes.

13 Apr 2004

Surprisingly, "The Alamo" Isn't Instantly Forgettable: Also, "Hellboy," "Walking Tall," "The Fog of War," and "In America"

By Mike Schulz

The AlamoTHE ALAMO

The Alamo is surprisingly not-bad. John Lee Hancock's long-delayed drama is by no means a great movie, but it's a pretty darned good audience movie, a middlebrow weeper like A Beautiful Mind or Titanic that, despite its flaws (and against your better judgment), you can find yourself really falling for.

29 Jul 2003

"Seabiscuit" Too Calculated to Be Great: Also, "Lara Croft Tomb Raider: The Cradle of Life," "Laurel Canyon," and "Spun"

By Mike Schulz

SeabiscuitSEABISCUIT

Seabiscuit arrives as such a breath of fresh air - an inspirational period piece in a sea of noisy, formulaic action drivel - that you wish to God the movie was better than it actually is.

11 Feb 2003

"Antwone Fisher" Wins - as the Most Overrated Movie of 2002: Also, "Biker Boyz" and "Real Women Have Curves"

By Mike Schulz

Derek Luke and Denzel Washington in Antwone FisherANTWONE FISHER

It's a bit late, but it finally arrived. The closing of each year brings with it at least one touching, inspirational, triumph-of-the-human-spirit movie designed to make audiences weep and Oscar voters genuflect, while certain Midwestern film critics roll their eyes and wish they could throw things at the screen. (Previous examples: I Am Sam, The Hurricane, and Shine.) For a while, it looked like 2002's might be About Schmidt, but the film barely qualified; it wasn't incompetently made, and it did provide a few laughs. At last, though, we have a winner.

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