Steve Martin, Queen Latifah, and Eugene Levy in Bringing Down the HouseBRINGING DOWN THE HOUSE

Since she executive-produced the film, I shouldn't feel too badly for Queen Latifah in Bringing Down the House; she obviously knew what she was getting into.

Before Pablo Picasso and Albert Einstein became icons of the 20th Century, they were dreamers. Steve Martin thinks so anyway. In his 1996 play Picasso at the Lapin Agile, Martin explores the unusual (fictional) meeting of young artist Picasso and science genius Einstein before they created history-changing works and ideas - during a time they had only the visions in their heads to rely on. Richmond Hill Players is performing the play in Geneseo through October 13.
Ryan Riewerts thought the best way to mark the one-year anniversary of the September 11 terrorist attacks would be to travel 226 years back in time. Not really, of course. But he wanted to recognize and celebrate the beginning of America's freedom as a country, and to relate that experience to the uniting of Americans in response to the events of last September 11. He decided the closest thing to time travel would be to use the medium of theatre, two local drama groups, and a musical called 1776. A Riewerts-directed production of that play is scheduled for September 11 through 14 at Davenport's North High School.

Even though the organization has only staged two plays in its first year, New Ground Theatre chooses to measure success by quality more than quantity. And New Ground has been rising after being started last year by a woman with an idea and funding from local organizations.

Billy Bob Thornton, Peter Boyle, and Heath Ledger in Monster's BallMONSTER'S BALL

In Marc Forster's sterling drama Monster's Ball, Halle Berry portrays Leticia Musgrove, the wife of a convicted murderer (Sean Combs), who takes the graveyard shift of an all-night Georgia café to support herself and her pre-teen son (Coronji Calhoun). One of her repeat customers is corrections officer Hank Grotowski (Billy Bob Thornton), son of an unrepentant racist (Peter Boyle) and father of a damaged, depressed son (Heath Ledger). Through a series of tragedies, Leticia and Hank find spiritual and sexual solace in each other's company, and Monster's Ball asks the question that, sadly enough, must still be asked in modern-day America: Can black and white find a middle ground and truly exist in harmony?

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