Daniel Craig in Quantum of SolaceQUANTUM OF SOLACE

As much as I enjoyed James Bond's re-invention in Casino Royale, I'll admit I was psyched to learn that the new Bond thriller, Quantum of Solace, was about 40 minutes shorter than its predecessor, which I felt was about 40 minutes too long. (The movie was great fun, but also proof that there can be too much of a good thing.) I presumed that this film's condensed running length would've led to an adventure that was even leaner, speedier, and livelier than director Martin Campbell's 2006 endeavor. So how, despite some fantastic set pieces and the continuing pleasure that is Daniel Craig, does Quantum of Solace wind up feeling about twice as long as Casino Royale?

Shrek the ThirdSHREK THE THIRD

Shrek the Third finds its computer-animated ogre undergoing something of a mid-life crisis, and based on the evidence here, so is the series itself. In contrast to the constant hyperactivity and relentlessly aggressive pop-culture references of the first two Shrek films, this latest offering is notable for its distinct lack of aggression; the film hasn't completely shucked off the qualities that made its forbears such (literal) monster hits, but on occasion, it actually takes the time to curtail its smart-alecky, type-A tendencies and just breathe. In doing so, it stands as my favorite Shrek movie to date. Unfortunately, that isn't high praise.

Rachel McAdams and Cillian Murphy in Red EyeRED EYE

Wes Craven's Red Eye is the beneficiary of an original, intriguing leading character and, in Rachel McAdams, exactly the right performer to play her. A good thing, too, because the movie doesn't have a lot else going for it.

Shrek 2SHREK 2

If a sequel manages to make any improvements on the original, it's usually cause for at least minor celebration, so I was pleased to see a few changes for the better in Dreamworks' computer-animated Shrek 2.

Lucy Liu, Cameron Diaz, and Drew Barrymore in Charlie's Angels: Full ThrottleCHARLIE'S ANGELS: FULL THROTTLE

Everything I loathed about the original Charlie's Angels movie - the Matrix-as-shampoo-commercial direction of McG, the beyond-senseless plotting, the "Are we hot or what? " imperiousness of Cameron Diaz, Drew Barrymore, and Lucy Liu - is back in spades in the franchise's sequel Full Throttle, but this time, it worked for me.

Halle Berry and Pierce Brosnan in Die Another DayDIE ANOTHER DAY

In lieu of trying to detail the plot of the latest James Bond vehicle, Die Another Day - really, does it matter? - let me instead run a short list of what makes Lee Tamahori's outing my favorite Bond flick in, I dunno, at least 20 years: