Jeffrey Wright in Cadillac RecordsCADILLAC RECORDS

At roughly 105 minutes, writer/director Darnell Martin's Cadillac Records is so jam-packed with character, story, incident, and musical interludes that it sometimes feels as though six or seven movies are being projected on the screen simultaneously. This is not meant as an insult. Films that overreach oftentimes give audiences too much of a fine thing, yet Cadillac Records is just enough of a really fine thing - a soulful, impassioned, beautifully enacted drama that delivers all the pleasures of the musical-bio-pic genre without the obviousness and sanctimony.

Ben Affleck and Diane Lane in HollywoodlandHOLLYWOODLAND

Against all expectation, the most touching performance in current releases is probably Ben Affleck's turn as George Reeves in the Tinseltown drama Hollywoodland. Director Allen Coulter's work centers around the mysterious shooting death of the famed Superman star of '50s television, and Affleck is just about perfect here. Seen in flashbacks, he plays Reeves' heartrending rise and fall with the abashed sweetness of a man who knows his good looks and moderate talent will only carry him so far, and Affleck's strong, subtle turn is effortlessly moving. And as trophy wife Tony Mannix, Diane Lane nearly matches him, suggesting entire generations of women carelessly tossed away by Hollywood's obsession with youth and beauty; Hollywoodland's tragedy is hers as much as Reeves', and the emotionally naked Lane turns in a fierce, brave portrayal.