Keira Knightley, Geoffrey Rush, Johnny Depp, and Mackenzie Crook in Pirates of the Caribbean: At World's EndPIRATES OF THE CARIBBEAN: AT WORLD'S END

Roughly 30 minutes into Pirates of the Caribbean: At World's End, Johnny Depp's Captain Jack Sparrow makes an entrance that perhaps only Johnny Depp, being directed by Gore Verbinski, would be permitted to make: All we see is Depp's nose, in enormous close-up, as it hungrily sniffs out a peanut. Eventually we're treated to a full view of the sloshed swashbuckler we've been waiting a half hour to see, yet before Sparrow can pop the peanut in his mouth, he's shot dead. By Johnny Depp's Captain Jack Sparrow.

Chulpan Khamatova and Daniel Bruhl in Good-bye, Lenin!GOOD BYE, LENIN!

Around this time last year, while local audiences were flocking to Pirates of the Caribbean and Bad Boys II, the Brew & View presented the area debut of 2003's finest film to that point - the extraordinary Capturing the Friedmans - and, amazingly, the Rock Island venue has done it again this summer.

Leelee Sobieski in The Glass HouseTHE GLASS HOUSE

The domestic thriller The Glass House is obvious and over-the-top from the word go, and that's what I liked about it. It takes true chutzpah to pull off a movie with visuals this baroque and plotting this convoluted; it might be the most trashily enjoyable work of its kind since 1997's The Devil's Advocate. Like that Al Pacino craptacular, The Glass House has no higher agenda than showing audiences, in horror-flick form, the luridness behind ultra-rich "perfection," and it's so up-front about its limited ambitions, and so earnestly performed by its top-tier cast, that you can easily lean back and enjoy it for the stylish dreck it is. Is it a good movie? Nah. An entertaining one? Hell, yes.