If you diagrammed the experience of the Riverbend Theatre Collective's As Bees in Honey Drown, it would look something like a roller coaster: There'd be an extended incline followed by a precipitous drop, several more inclines each followed by lesser drops, a few twists, and an eventual return to your point of origin. And as with a roller coaster, you might find yourself having a terrific time during Bees' ride, even if your enjoyment wears off quickly, and a few of its shakier moments give you a headache.
With King Henry the Fifth, the overall effect of the Prenzie Players' Henriad trilogy can be demonstrated in about five minutes of stage time. Shakespeare's titular ruler, played by Jeff De Leon, is invading the French province of Harfleur, and the scene begins with a literal explosion of sound - an edifice-shaking cannon boom, followed by the impassioned cries of the English and French soldiers engaging in battle. Over the next few minutes, the bellowing and booming hit greater and greater peaks of intensity, until finally Henry is standing at the gates of Harfleur, demanding that the governor surrender his township.
Here's one for fellow fans of Peter Jackson's Lord of the Rings trilogy: You know how badly we wanted to see The Two Towers after The Fellowship of the Ring? That's how badly I want to see the Prenzie Players' King Henry the Fourth after Saturday night's production of King Richard the Second.






