Gryan Woods, Grace Pheiffer, Anna Tunnicliff, and Susan Perrin-Sallak in The Winter's Tale Saturday's Genesius Guild presentation of The Winter's Tale never quite found its tone, but it's hard to be too bothered by that, because I'm not convinced that Shakespeare's play ever finds its tone, either. The bard's work is an unusual, somewhat off-putting blend of high and low comedy, aching tragedy, and pastoral romance, and I can only assume that pulling it off in a way that makes sense requires an extraordinary amount of finesse. Director Patti Flaherty's production didn't display this sort of acumen, yet to its credit, the show was never less than pleasant. Whether The Winter's Tale is meant to be pleasant is another matter entirely.

Boib Hanske, Patti Flaherty, and James J. Loula in Medea Euripides' Medea, the title character of the Greek drama currently being produced in Rock Island's Lincoln Park, is a vengeful sorceress who - after discovering the unfaithfulness of her lover, Jason - kills Jason's wife, the king of Corinth, and, in her most monstrous act, her two young sons. And while I'm not sure what it says about me, I may have had more sheer fun at this Genesius Guild endeavor than at any other I've seen over the past two years. With superior direction by Peggy Hanske, this Medea is a vibrantly dramatic, unexpectedly funny, and completely accessible version of the classic tale, and it's the most consistently well-acted Genesius Guild production I've yet seen.