Certainly, there was cause for concern.

Reader issue #604 When the Prenzie Players made their 2003 debut with Shakespeare's Measure for Measure, they did so at Rock Island's Peanut Gallery, which didn't have a proper stage and could only seat, at maximum, 40 people. The show had an inadequate budget (between $200 and $300), a run of only two performances, and no word-of-mouth; Prenzie's founders - Cait Bodenbender, John "J.C." Luxton, Aaron Sullivan, and Denise Yoder - had every reason to expect Measure for Measure to fail.

Yet Friday night's show played to a full house. And on Saturday ... .

James J. Loula and Candice GreggA leading actor tortured by the inability to play a role he can't feel. A narcissistic starlet unashamedly flaunting her sexuality. A group of second bananas complaining about the sizes of their roles. A sweet-faced ingénue enduring the advances of an older sponsor. A clueless playwright convinced that his pedestrian dialogue is marvelous.

No, Genesius Guild isn't tackling Terrence McNally or Woody Allen's Bullets Over Broadway, but rather Henri Gheon, whose play The Comedian opened at Lincoln Park this past Saturday.

Greek drama is designed to make audiences think and feel, and while I'm not sure I did much of either at the Saturday-night performances in Rock Island's Lincoln Park, I sure did grin a lot.

Chris Hicks, Bryan Woods, and Rae Mary Regardless of style or genre, entertaining theatre has a way of putting audiences in great moods - I've personally smiled through well-staged productions of such varied, inherently tragic shows as Death of a Salesman and A Streetcar Named Desire and Hedda Gabler. And despite their seriousness, Genesius Guild's Seven Against Thebes and Antigone were a terrific time; the shows may not have had the knockabout power you hope for from Greek drama, but they certainly were enjoyable.

Emily Coussens and Pat Flaherty in "The Tempest"The Tempest is one of Shakespeare's most magical offerings - a wildly theatrical concoction set on an enchanted isle populated by fairies, sprites, and spirits, and governed by a benevolent (yet easily enraged) ruler in possession of a supernatural cloak.

Given the built-in limitations in budget and production design at Rock Island's Lincoln Park, though, no one attending Genesius Guild's current production of the play should expect to be wowed by spectacle; Ariel, for instance, won't be flying in on any invisible wires. Yet from its first scene, this Tempest is graced by spectacle of a different variety: the sort of stage alchemy that occurs when fine performers tear into rich material, and when a strong director orchestrates the actors' contributions and stage pictures with inventiveness and grace. Imagination, of course, is its own kind of magic.

How wonderful and humbling the last eight months have been.

Ah, Genesius Guild. By the time the company's Saturday-night production of Much Ado About Nothing commenced, the quality of the show barely mattered, because I was already thoroughly amused by the audience.

When you take in a Genesius Guild production at Rock Island's Lincoln Park - when you take in any theatrical performance outdoors - you're at the mercy of the weather, and every once in a while the elements and the production itself will align in a way that feels like perfection.

For 43 years, Don Wooten has been re-writing Greek history. His history lessons are anything but serious or classroom-worthy, and that's all right with him. Wooten, the founder of Genesius Guild theatre group, has most recently altered the more outdated sections of Aristophanes' comedy Plutus to make its already-quirky script even quirkier and more accessible to modern audiences. Wooten has added musical numbers and touches of local humor about bridge construction and the Mallards hockey team, and he addresses national issues such as war, education, President Bush, and television infomercials. With a bit of assistance from Aristophanes, Wooten has produced an appealing script.

About a year ago, Genesius Guild members J.C. Luxton and Cait Woolley had an idea: to bring Shakespearean theatre to a more intimate space than the outdoor Lincoln Park venue in which the Guild performs every summer.

In this weather, I pity the actors in Genesius Guild's production of Macbeth. In addition to the fact they're on stage wearing three layers of clothing and toting swords, shows are performed at Rock Island's Lincoln Park outdoor theatre, which draws little breeze, lots of bugs, and, of course, heat. Though these aren't ideal conditions for actors, or for audience members, people willing to brave the heat for three hours and put on the bug spray will be more than pleased to see an incredibly well-done yet traditional version of one of Shakespeare's great tragedies.

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