During a recent post-show conversation, an actor friend and I agreed that perhaps the most exciting moments at any theatrical production are those few seconds before the production even starts, when the lights dim, cell phones (please God) are turned to silent or vibrate, and the venue becomes alive with possibility - with the awareness that, in this live art form, absolutely anything can happen.
When the Circa '21 Dinner Playhouse first produced Goldilocks & the Three Bears in 2002, I was a member of the cast, so I'll admit that there weren't many surprises for me in the venue's new production of the family musical. There was one biggie, though: Beneath the program credit that read "Adapted for the stage by Justin Gebhardt," I saw my own name listed under "With additional material by ... ."
As the lights dimmed for the Clinton Area Showboat Theatre's production of The Mousetrap - based on Agatha Christie's mystery novel - I already knew whodunnit. But don't be fooled into thinking that I possess superhuman powers of deduction or anything. I was in a high-school production of the play some 20 years ago. (Fine. Twenty-three years ago. Happy, Mom?)
When you visit the Clinton Area Showboat Theatre, you know you won't get much in the way of spectacle - the intimate stage space is charming, but limited - so, instead, you look for inventiveness, especially when the production in question generally thrives on spectacle.Subscribe & Listen to Reader Podcasts
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