The Allaert Auditorium at the Galvin Fine Arts Center was almost filled to capacity last Friday evening when admirers of Edward Albee, author of such legendary American works as Who's Afraid of Virginia Woolf?, Seascape, and The Zoo Story, flocked from near and far to see their favorite avant-garde playwright give a public lecture about "The State of the Theatre & the Arts in America."

Chief among many surprises in Circa '21 Dinner Playhouse's current production of The King & I is the re-discovery of just how funny the show is. For many, myself included, the news of another Rodgers & Hammerstein revival is enough to fill you with trepidation; must we sit through one of their timeless extravaganzas yet again? But it's easy to forget that this theatrical duo is legendary for good reason. Beyond their undeniable musical talents, Richard Rodgers and Oscar Hammerstein wrote strong, well-constructed shows and empathetic characters, and their productions always feature an intriguing, nearly treacherous dark side; Rodgers & Hammerstein felt no compunction about casually killing off major characters. (Every time I see The Sound of Music I have to remind myself: Oh, right. There are Nazis in this.) And although I'd be content to never see South Pacific again, a recent, invigorating production of Rodgers & Hammerstein's State Fair at Assumption High School was a welcome reminder of the duo's gifts, and Circa '21's The King & I is fantastically fine, engaging and memorable and, to a quite unexpected degree, hilarious.

The Show. Once upon a time long, long ago (over a half century), in a far away fantasy land (innocent, simple Iowa) there was a wonderful family (the completely believable, wholesome Frakes) who looked forward to a magical event (the yearly state fair) each summer that made a lot of their hard work (putting up pickles, making mince meat, raising livestock, etc.) seem like something special.

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