Al Pacino and Colin Farrell in The RecruitTHE RECRUIT

In Roger Donaldson's The Recruit, Colin Farrell plays M.I.T. graduate James Clayton, whose astonishing computer prowess catches the attention of C.I.A. agent Walter Burke (Al Pacino). Burke enlists Clayton to join the organization, bringing the young man to a top-secret, governmental compound nicknamed The Farm, where Clayton will train as a C.I.A. operative. While at The Farm - a hall-of-mirrors environment where, we're told ad nauseum, "nothing is what it seems" - Clayton falls for fellow recruit Layla (Bridget Moynahan), who, Burke later reveals, is secretly a mole, attempting to sabotage the C.I.A. from within; Clayton's assignment is to catch her in the act. Will Clayton's love for Layla threaten his allegiance to the C.I.A.? Does Layla even have a secret agenda? Is Burke really who we think he is? Is anything what it seems?

George Clooney in Ocean's ElevenOCEAN'S ELEVEN

Danny Ocean has an idea. Just paroled from prison, this Las Vegas smoothie (played by George Clooney) decides to rip off three of the city's casinos, the profits from which are all stored in one underground safe. In order to successfully pull off the caper, Ocean assembles 10 of the smartest, shiftiest cons he knows to form a labyrinthine plot that'll net the crooks upwards of $160 million. The problem: The safe in question is more heavily guarded than Fort Knox, and getting in the vault is small potatoes compared to how difficult it will be to leave the area once they have.

Spinning into Butter, Riverside Theatre's third production in its 21st season, is a sometimes-humorous look at very serious subjects: political correctness and racial politics in the new millennium. The work and the production have local roots. The play was written by Rebecca Gilman, who has an MFA from the University of Iowa and is an acquaintance of Ron Clark and Jody Hovland, co-artistic directors at Riverside. (Time magazine hailed Gilman as "an important new theatrical voice.") And director Bruce Levitt is a former University of Iowa faculty member and was director of the MFA. actor-training program at the school from 1977 to 1980.

Michelle Pfeiffer and Harrison Ford in What Lies BeneathWHAT LIES BENEATH

As far as I can tell, the only people who might enjoy Robert Zemeckis' supernatural thriller What Lies Beneath are the ones that haven't yet seen its trailer, but I'm not sure if anyone qualifies anymore. That's not just because the omnipresent trailer gives away far too many plot twists, but seeing the preview makes watching the entire first hour of the film pointless. Movie trailers have been getting worse and worse about providing too much information; this is the first time they came close to spoiling an entire movie for me.

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