Reese Witherspoon, Patrick Dempsey, and Candice Bergen in Sweet Home AlabamaSWEET HOME ALABAMA

Just how much goodwill are audiences willing to extend to Reese Witherspoon? Quite a lot, actually, if their response to Sweet Home Alabama is any indication.

Matt Damon in The Bourne IdentityTHE BOURNE IDENTITY

I have a lower threshold for international spy thrillers than most people, yet I must admit that I found The Bourne Identity, based on Robert Ludlam's 1980 bestseller, pretty damned enjoyable.

Ben Affleck, Morgan Freeman, and Lev Prygounov in The Sum of All FearsTHE SUM OF ALL FEARS

In The Sum of All Fears, the latest film adaptation of one of Tom Clancy's Jack Ryan thrillers - the other movies being The Hunt for Red October, Patriot Games, and Clear & Present Danger - America and Russia are headed for war. In a horrifying scene that, given our national consciousness, might deeply unsettle audiences, a nuclear device has detonated at a football stadium in Baltimore, and all indicators point to the Russians and their new president (Ciaran Hinds) masterminding the attack. Our government, and our mildly befuddled president (James Cromwell), are readying a counter-assault that will inevitably lead to World War III, but Jack Ryan, our one-man CIA, knows that something's just not right about our leaders' assumptions, and tries to ... hey, wait a minute, is that Ben Affleck playing Ryan?

George Clooney in Ocean's ElevenOCEAN'S ELEVEN

Danny Ocean has an idea. Just paroled from prison, this Las Vegas smoothie (played by George Clooney) decides to rip off three of the city's casinos, the profits from which are all stored in one underground safe. In order to successfully pull off the caper, Ocean assembles 10 of the smartest, shiftiest cons he knows to form a labyrinthine plot that'll net the crooks upwards of $160 million. The problem: The safe in question is more heavily guarded than Fort Knox, and getting in the vault is small potatoes compared to how difficult it will be to leave the area once they have.

Jason Mewes and Kevin Smith in Jay & Silent Bob Strike BackJAY & SILENT BOB STRIKE BACK

Kevin Smith's Jay & Silent Bob Strike Back, the fifth and reportedly final installment in his View Askewniverse series, is less a movie than a live-action thank-you note to his fans.

Catherine Zeta-Jones in TrafficTRAFFIC

Sitting in the audience for Steven Soderbergh's drug drama Traffic, I heard a sound that had been sorely missing from 12-plus months of moviegoing: rapt, appreciative silence. It was the sort of silence that you only get when a director is in full control of his work, when the actors are working at peak form, and when the storyline is so gripping that you can't wait to see where it will lead you next. Based on a British mini-series, Traffic is something increasingly rare in modern films: a large-scale epic with a human pulse, in which every character and nuance is sharply defined, and in which your alliances and points of view change with each passing scene. The accolades and awards already bestowed on the film aren't simply a matter of it being the best of a bum year; it's one of the best movies released in many years.

Will Smith and Matt Damon in The Legend of Bagger VanceTHE LEGEND OF BAGGER VANCE

The Legend of Bagger Vance, Robert Redford's golfing fable, isn't a work of any depth, and there's precious little intelligence on display, but it sure looks pretty - so pretty, in fact, that audiences might not realize that the movie itself is a dud. From the golden-hued cinematography of the great Michael Ballhaus to the stunning, Depression-era costuming and production design, it's clear that the film has been made with the utmost care and a real attention to physical and aural beauty; if you didn't understand a word of English, you might find it a masterpiece.

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