Mickey Rourke in Sin CitySIN CITY

Sin City, which is based on three graphic novels by comic-book legend Frank Miller, might not be Pulp Fiction, but it is most definitely pulp fiction, and dazzlingly entertaining pulp fiction, to boot.

Irma P. Hall and Tom Hanks in The LadykillersTHE LADYKILLERS

Just about every Coen brothers comedy is more enjoyable on a second or third (or fourth or fifth) viewing than it is on a first; once you adjust to Joel's and Ethan's Byzantine plotting, affected wordplay, and in-your-face staging - culminating in a style that can make their works seem, initially, show-offy and too quirky by half - the brothers' filmmaking exuberance eventually wears down your resistance, and their scripts feature some of the funniest non sequiturs you'll ever hear. (Nearly every movie fan I know can recite reams of dialogue from Raising Arizona and Fargo and O Brother, Where Art Thou?.) The Ladykillers, the Coens' adaptation of a 1955 Alec Guinness comedy, is mostly on the hit side of hit-or-miss, and I'm guessing that it, too, will eventually become a beloved treasure trove of quotable quotes, mostly because, on a first go-around, it takes diligence to decipher exactly what Tom Hanks is saying in it.

Winged MigrationWINGED M IGRATION

At the beginning of Jacques Perrin's documentary Winged Migration, even before the title has appeared, we are informed that the film took more than four years to complete, that it required near-global group participation, and that "no special-effects shots were employed in the making of this film." It seems like an overly grandiose introduction until you actually see the movie. For Winged Migration, currently playing at the Brew & View, is an absolutely astounding experience, a visually breathtaking work that is also more pure fun than just about anything in current release.