Ben Webb and Veronica Smith in Blood Wedding Federico García Lorca's Blood Wedding isn't a play that's "fun" in any traditional sense of the word; you're thrown into complex states of grief and anger within this classic's first few lines of dialogue, and even the infrequent moments of levity are suffused with dread. (By all accounts, the Spanish playwright wasn't exactly a load of laughs, and for understandable reason.)

Brian Bengtson, Katie Wyant, and Kyle Roggenbuck in Romance Language If you majored in English, or are currently majoring in English, or simply wish that you'd majored in English, Peter Parnell's comic fantasia Romance Language might sound like an almost obscene amount of fun. Or perhaps merely obscene, as Augustana College's latest presentation finds Walt Whitman traveling cross-country with Huck Finn, Ralph Waldo Emerson pining over the deceased Henry David Thoreau, Emily Dickinson abandoning her lesbian lover for a Native American warrior, Louisa May Alcott embracing her wild side as an uninhibited dance-hall girl ... . The experience of Romance Language is like tumbling down Lewis Carroll's rabbit hole and landing smack in the middle of a 19th Century American Literature course.

As an English major myself, I say: Awesome.

Katie McCarthy and Ben Webb in The Fantasticks About a half hour into Augustana College's opening-night presentation of the deservedly beloved musical romance The Fantasticks, Brian Bengtson made his first appearance as the aging ham Henry, and I can't recall the last time I was so relieved to see an actor on stage.

David Hare's Stuff Happens is a political drama based on events that transpired between the terrorist attacks of September 11, 2001, and 2003's invasion of Iraq, and in his director's notes for Augustana College's fascinatingly uneven production of the play, Scott Magelssen writes that the "national, racial, and ethnic backgrounds" of the show's characters - which include Colin Powell, Sadaam Hussein, and Yo-Yo Ma - presented "a steep challenge to Augustana College Theatre's casting pool."

Kyle Roggenbuck and Brian Bengtson in With Tim Robbins' capital-punishment drama Dead Man Walking, Augustana College's theatre department has crafted a moving and impressive play, and I can't fully express how difficult that task must have been, because it really isn't a play; it's a screenplay. Scene for scene, sometimes even word for word, this 2002 piece replicates Robbins' 1995 movie to the letter, and in doing so, points out the deep chasm that exists between theatre and film. As a stage piece, Dead Man Walking shouldn't work, but director Jeff Coussens and his fiercely committed cast do everything in their power to keep you from noticing, and more often than not, succeed beautifully.