It doesn't feature a question mark, but the Circa '21 Dinner Playhouse's Whodunit... the Musical may still not have the right question in its title; after viewing Saturday's performance, I was instead asking myself, "What is it?" The show's book, for the most part, is a straightforward murder-mystery, the majority of its songs make for a bright and cheery musical, and the climax and dénouement are straight out of drawing-room farce. It's an identity crisis bigger than the mystery afoot in the show's plot.
I was really looking forward to the Circa '21 Dinner Playhouse's production of The Full Monty, but that anticipation was nothing compared to how much I was looking forward to watching Friday's audience watch The Full Monty.
Among those I spoke with during the show's subsequent opening-night party, the prevailing opinion seemed to be that the Circa '21 Dinner Playhouse's new production of Irving Berlin's White Christmas was superior to the 2006 production, and I guess that maybe, in several respects, it was.
I'm tempted to say that the high point of the Circa '21 Dinner Playhouse's Oklahoma! comes in the show's first minute, when Adam Clough's Curly enters singing "Oh, What a Beautiful Mornin'" in a thrillingly rich, powerful baritone. Such a statement, however, might indicate that the rest of the actor's performance is somehow less of a thrill. Put simply - and with no disrespect meant to director Jay Berkow or the show's other participants - this Oklahoma! works because of Clough.Subscribe & Listen to Reader Podcasts
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