Don Faust, Dawson Tucker, Regan Tucker, Alexa Florence, Andrew Cole, Bill Peiffer, and Ruby Nancy in The Tragedy of Sarah KleinIt's doubtful anyone needs to be told that launching a new theatre company - particularly in an area already rife with theatre companies - can be a risky venture, which is likely why Quad Cities-based organizations have tended to debut with relatively low-risk offerings. In 2008, the Harrison Hilltop Theatre chose to stage, as its first production, David Auburn's intimate, four-character drama Proof; a week later, the Curtainbox Theatre Company arrived on the scene with Three Viewings, a trio of Jeffrey Hatcher monologues.

And what is Davenport native Nathan Porteshawver, the founder of the Internet Players, presenting for his new theatre company's debut offering? An original drama that Porteshawver himself wrote.

In verse.

With a cast of 17 actors.

And nine musicians.

scene from Stefano Brancato's 2009 production of IcarusWhen director/designer Stefano Brancato characterizes his forthcoming theatre workshops as "boot camp," the description is initially surprising, considering that the focus of the week-long area courses is puppetry. After all, as the 30-year-old Brooklyn resident says, "in a lot of puppetry, the performer, the puppeteer, is in a kind of static position," and not necessarily part of a piece's main action.

Yet for the two workshops that he'll be conducting through Davenport Junior Theatre - one designed for ages 10 through 18, one ages 18 and older, and both running June 14 through 19 - "boot camp" does seem an appropriate phrase, as Brancato states that he and Junior Theatre's artistic director, Daniel D.P. Sheridan, were hoping to "break the rules a little bit" in terms of what a puppetry course could entail.

the Promises, Promises ensemble During a recent post-show conversation, an actor friend and I agreed that perhaps the most exciting moments at any theatrical production are those few seconds before the production even starts, when the lights dim, cell phones (please God) are turned to silent or vibrate, and the venue becomes alive with possibility - with the awareness that, in this live art form, absolutely anything can happen.

Chris Jansen, the artistic director of the New Ground Theatre, is a self-described "Junior Theatre kid," and has the pictures to prove it. She thinks.