cuckoosnest_thumb The production of One Flew Over the Cuckoo's Nest that opened at the Playcrafters Barn Theatre this past weekend is well-designed and entertaining, and features a bunch of really fine individual performances - nearly a dozen, in fact.

Yet the show, directed by Jeri Benson, is a strange one, because everything that's off in it is off by just a few degrees - not enough to ruin the piece, but enough to make it play less successfully that it might have, and to make several key elements of Dale Wasserman's work no longer make sense. It's not a bad production of Cuckoo's Nest, but it's not quite Cuckoo's Nest, either.

How wonderful and humbling the last eight months have been.

Uma Thurman and John Travolta in Be CoolBE COOL

Granted, I've missed a few of the year's more high-profile flicks - Are We There Yet?, White Noise, Son of the Mask, that thing with the Heffalumps - but, in general, the releases I have viewed have been so crummy as to be some kind of joke. (The Citizen Kane of the group would actually be the remake of Assault on Precinct 13, which should tell you everything you need to know about Hollywood's output in early 2005.) But, with the arrival of Be Cool, the joke is no longer funny. Be Cool is worse than Elektra. Hell, it's worse than Alone in the Dark. I literally can't remember the last time I left a screening feeling so angered by the waste of time and talent onscreen; it's the sort of smug, lazy Bad Movie that puts you in a foul mood for the rest of the day.

Kevin Spacey in K-PAXK-PAX

Kevin Spacey has made a career out of being snidely patronizing, of being the smartest person in the room, and that's what I adore about him; he patently refuses to be lovable, and his wicked intelligence and dry-as-sandpaper line readings give a snap to just about every role he plays. (That's why his performance as the physically and emotionally scarred teacher in last year's imbecilic tearjerker Pay It Forward was so disappointing; he's not built for sentiment, and his presence in that mopey role merely exposed the film's schmaltziness.) I guess it was inevitable that Spacey, who always comes off as knowing more than we do, would one day play an alien (or is he?) who arrives on Earth to teach us all lessons about life and love that we can't figure out for ourselves. And so we have K-PAX, which had the potential to be excruciating but, as directed by Iain Softley and performed by a marvelous cast led by Spacey and Jeff Bridges, turns out to be thoroughly engaging; it's a case study in how the right director and performers can redeem mostly worthless material.