Before the production officially begins and without uttering a single word, Gini Atwell effectively sets the tone for the Prenzie Players' Antigone. On Friday evening, during the ad-libbed pre-show that's a staple of Prenzie productions, Atwell sat at the front of the stage, half-cradling her knees while wearing a far-off look in her eyes and a deep sadness on her face, as though lost in thought on woeful memories or circumstances.
Not long after the play begins, it's made clear that Atwell's expression is due to her character's resignation to her own death. She is passionate during the course of the play - particularly as she attempts to garner her sister's help in burying their brother (who lost his life in battle with their other brother for the throne of Thebes), and as she embraces her fiancé as if it's the last time they'll ever hold each other. But her ability to maintain the cheerlessness at the core of her Antigone is remarkable, creating a palpable pain that's punctuated by her inevitable death.