The Bucktown RevueFor pianist Jonathan Turner, "It's a really unique kind of entertainment experience in the area. There isn't really anything like it."

For performer Korah Winn, "It's kind of like if you take the best play you've ever been in, with the best cast, with the best audience, and you get to do that once every month."

Producer/writer/musician Mike Romkey, however, has a slightly different take: "It's kind of like a local Prairie Home Companion ... but not in a way that would get us sued."

Megan Elliott, Linell Ferguson, Wendy Czekalski, Sara Laufer, and Kris Preston in Hard to Believe"I think Playcrafters has traditionally had the reputation of being a stodgy old theatre that only does six comedies a year," says Tom Morrow, a frequent actor and director for Moline's venerable Barn Theatre. "And admittedly, we do a lot of comedies. But every once in a while, we try to stick our necks out and do something else."

That they do. In addition to the titles produced in conjunction with Playcrafters' 2009 "Diversity Initiative" - Lorraine Hansberry's A Raisin in the Sun and August Wilson's Fences - other recent "something else"s have included 2005's Altar Call, a debuting, religiously themed drama written by local playwright Melissa McBain, and 2008's Promises, Promises, one of only a handful of musicals the theatre has produced during its 81-year history.

And on September 10, the Playcrafters Barn Theatre will actually present something of a blend of these latter two works - a debuting, religiously themed musical - when it premieres Hard to Believe, a song-filled re-telling of the Biblical story of Job, directed by Morrow, and written and composed by Tim Stoller and Jonathan Turner. Previously staged, in workshop form, at Rock Island's defunct Green Room Theatre in 2008 and Davenport's Zion Lutheran Church in 2009, Turner says that "the whole theme of the show is about the challenges of faith, and maintaining your faith in the face of all this tragedy."