The Circa '21 Dinner Playhouse's latest production is, nearly element for element, an awesome technical achievement. The set, conceived by Dawn Robyn Petrlik, is a glorious mess of artful decay, Ron Breedlove's lighting effects are mostly extraordinary, and the sound quality is superb. (Dave Vanderkamp's continually outstanding sound design is overdue for mention.)

Author's note: Prior to my full-time tenure at the Reader, I worked at the Circa '21 Dinner Playhouse, and for Dennis Hitchcock, for 11 years. This was one of those rare interviews that didn't start with a handshake, but rather a hug.

The years have turned it into a classic of musical theatre, but when it first appeared on stage, Andrew Lloyd Webber's and Tim Rice's Jesus Christ Superstar met with criticism as well as critical acclaim. And even though it's no longer controversial, Jesus Christ Superstar still has all of its power and theatrical brilliance.

Why does Elvis Presley captivate us as strongly today as he did the first time he strutted his stuff on Ed Sullivan's stage? Is it his music? Was it the life he lived behind the gates of Graceland that ended so tragically? Many insist Elvis is still alive, swearing they've seen him in every corner of the world.