When you watch a body-switching comedy such as Big or Freaky Friday, you know immediately that the movie is going to require a huge suspension of disbelief; these are comedy fantasies, after all, and bitching about logic and realistic plotting is the surest way to kill your good time.
Everyone I know has enormous fondness for the 1976 Disney comedy Freaky Friday, wherein mother Barbara Harris and daughter Jodie Foster switched bodies and discovered, on one very strange day, how the other half lived.
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