Flags of Our FathersFLAGS OF OUR FATHERS

Clint Eastwood's Flags of Our Fathers is serious and noble, but it isn't resonant - despite some harrowing battle scenes, this World War II drama is surprisingly easy to brush off. Based on the James Bradley book, the film provides the back story to the historic raising of the American flag during the battle of Iwo Jima - a moment eternalized in Joe Rosenthal's famed photograph - and then follows the flag-raisers as they cope with their newfound status as American heroes, sent on a nationwide tour promoting war bonds. Yet with the exception of Rene Gagnon (Jesse Bradford), who is seduced by the limelight, the men don't feel heroic - John Bradley (Ryan Phillippe) falls into a jittery depression, and Native American Ira Hayes (Adam Beach) becomes a despondent alcoholic. These men didn't ask to be heroes. They just wanted to stay alive.

Heath Ledger and Jake Gyllenhaal in Brokeback MountainBROKEBACK MOUNTAIN

In Ang Lee's agonizingly fine romantic western Brokeback Mountain, two taciturn young men - Ennis del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) - are hired, in the summer of 1963, to tend flocks of sheep on a Wyoming expanse. During the early days of their tenure, the men barely speak. Yet as the months pass, they form a solid friendship, and on one particularly cold night atop the mountain, Ennis and Jack share a bottle of whiskey and a sleeping bag, and - experiencing wordless, nearly aggressive desire - have sex. Despite the inevitability of the encounter, the sheer, naked hunger of the scene is startling, but a greater surprise comes some 20 minutes (and four years of screen time) later, in a scene so powerfully, emotionally true that - like much of Lee's transcendently moving work - it hits like a slap in the face.

Jennifer Aniston and Clive Owen in DerailedDERAILED

There's nothing all that wrong with director Mikael Hafstrom's thriller Derailed, until, that is, it turns into a thriller. Chicagoan Charles Schine (Clive Owen) is a harried family man with a wife (Melissa George) and a young, diabetic daughter. While commuting to work one morning, he meets a stranger on the train: the beguiling, flirtatious - and similarly married - Lucinda (Jennifer Aniston). Over the course of a few days, the two enjoy snappy conversation, meet for drinks, and eventually find themselves a hotel. But before their affair can be consummated, LaRoche (Vincent Cassel), a scruffy-looking nightmare with a gun and a thick French accent, breaks into their room, takes their wallets, beats Charles within an inch of his life, and rapes Lucinda. Then everything goes to hell, both for the characters and, unfortunately, for the movie.

Gilbert Gottfried in The AristocratsTHE ARISTOCRATS

For those who don't yet know, The Aristocrats is a literal one-joke movie. In Paul Provenza's documentary, nearly a hundred comedians re-tell an old vaudeville gag about a group of performers whose act consists of them performing the filthiest, most repellant stage atrocities imaginable - some immoral, most illegal, all unimaginable (or so it would seem). The performers' stage moniker? The Aristocrats.

Zach Braff in Garden StateGARDEN STATE

Zach Braff's indie comedy Garden State is something rare: a homecoming tale told with a clear eye and, more often than not, a refreshing lack of sentimentality.

Irma P. Hall and Tom Hanks in The LadykillersTHE LADYKILLERS

Just about every Coen brothers comedy is more enjoyable on a second or third (or fourth or fifth) viewing than it is on a first; once you adjust to Joel's and Ethan's Byzantine plotting, affected wordplay, and in-your-face staging - culminating in a style that can make their works seem, initially, show-offy and too quirky by half - the brothers' filmmaking exuberance eventually wears down your resistance, and their scripts feature some of the funniest non sequiturs you'll ever hear. (Nearly every movie fan I know can recite reams of dialogue from Raising Arizona and Fargo and O Brother, Where Art Thou?.) The Ladykillers, the Coens' adaptation of a 1955 Alec Guinness comedy, is mostly on the hit side of hit-or-miss, and I'm guessing that it, too, will eventually become a beloved treasure trove of quotable quotes, mostly because, on a first go-around, it takes diligence to decipher exactly what Tom Hanks is saying in it.

Viggo Mortensen in HidalgoHIDALGO

As family-friendly adventures go, the Disney-produced western Hidalgo isn't all that bad, but it sure could have used a feistier directorial spirit, something like what Gore Verbinski brought to last summer's Pirates of the Caribbean.

Kurt Russell in MiracleMIRACLE

Although I'm generally a sucker for triumph-of-the-underdog sports flicks - 1986's Hoosiers remains my favorite - and was all set to have a good sniffle at Miracle, the movie is so cynically programmed to be a lump-in-the-throat audience-pleaser that I found it all too easy to resist.