THE BOURNE ULTIMATUM

There's a lot of plot in The Bourne Ultimatum - all manner of clandestine meetings and hidden motivations and governmental conspiracies - but the story can be neatly summed up by the titular fugitive himself: "Someone started all this," Bourne tells the brother of his murdered lover, "and I'm gonna find him." Nothing else is really germane here, and the exhilaration of this third entry in the spy-thriller franchise is that, with as visceral a filmmaker as Paul Greengrass at the helm, nothing else needs to be.

FEVER PITCH

As long as there's a Hollywood, there will be a surfeit of romantic comedies, but when was the last time you saw one that was as charming and magical as it pretended to be? Granted, Hitch made oodles of money, but the platonic love between Will Smith and Kevin James was more engaging than either of their characters' eventual hook-ups, and The Wedding Date, in which Debra Messing and Dermot Mulroney made flirtation look like an act of desperation, was just slightly less romantic than any given episode of Will & Grace.

GOOD BYE, LENIN!

Around this time last year, while local audiences were flocking to Pirates of the Caribbean and Bad Boys II, the Brew & View presented the area debut of 2003's finest film to that point - the extraordinary Capturing the Friedmans - and, amazingly, the Rock Island venue has done it again this summer.