03 Dec 2008

Homecoming Dance: "Four Christmases," "Australia," and "The Boy in the Striped Pajamas"

By Mike Schulz

Reese Witherspoon and Vince Vaughn in Four ChristmasesFOUR CHRISTMASES

In the spirit of those magical pre-Thanksgiving treats Fred Claus, Deck the Halls, and Christmas with the Kranks, director Seth Gordon's Four Christmases is Hollywood's annual, star-filled affair that celebrates the joys of the holidays through wisecracks, gaudy colors, pummeling "comic" violence, and occasional projectile vomiting. It differs from its predecessors, though, in one notable regard: It doesn't suck. At least not completely.

13 Jun 2006

"Companion" Piece: "A Prairie Home Companion," "Cars," and "The Omen"

By Mike Schulz

Garrison Keillor, Meryl Streep, and Lindsay Lohan in A Prairie Home CompanionA PRAIRIE HOME COMPANION

One of the many glories of Robert Altman is that he never pretends to know everything there is to know about the characters in his movies, and doesn't expect his audiences to, either. In an Altman film, you may think you have someone all figured out, until a later scene proves that you haven't begun to understand what makes them tick; Altman is fascinated with the dichotomy between characters' public and private faces. (It makes perfect sense that he eventually filmed a murder mystery.) It sometimes seems that there's not much going on in an Altman movie, and audiences could easily assume the same about the director's latest, A Prairie Home Companion. But if you're as enthralled with character as the director is, and with the drama of actors gradually revealing character, his ambling, "plotless" films can be sheer bliss.

15 Jun 2004

"Harry Potter" Series Finally Finds Its Magic: "Harry Potter & the Prisoner of Azkaban" and "Saved!"

By Mike Schulz

Daniel Radcliffe in Harry Potter & the Prisoner of AzkabanHARRY POTTER & THE PRISONER OF AZKABAN

Anyone interested in the distinction between routine direction and inspired direction - anyone who has ever wondered what, exactly, it is that a director brings to a movie - should compare Chris Columbus' first two Harry Potter films with Harry Potter & The Prisoner of Azkaban, helmed by Alfonso Cuaron; Columbus' films are the work of a by-the-numbers craftsman, and Cuaron's is the work of an artist. (Which isn't to say that everyone will prefer Cuaron's style; many people would rather dine on Big Macs than filet mignon.) Cuaron isn't quite able to overcome the series' built-in limitations - the familiarity of the storytelling arc, the "surprising" character reversals that aren't really much of a surprise, the fact that all three movies are too damned long - but for those viewers, like me, who've never been overly enamored of the Harry Potter film series, Azkaban is as fine an entertainment as you could hope for, a visually audacious work with moments of true magic, and it improves on Chris Columbus' vision tenfold.

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