Leonardo DiCaprio and Jack Nicholson in The DepartedTHE DEPARTED

Because Martin Scorsese's internal-affairs thriller The Departed is so colossally entertaining, so brimming with performance and filmmaking craft, I may as well get its major failing out of the way right off the bat: What the hell is Jack Nicholson doing here?

Christian Bale in Batman BeginsBATMAN RETURNS

Many Hollywood blockbusters feel so generic as to have been formed by committee, and in Batman Begins, that committee appears to be comprised entirely of comic-book bloggers. Just how afraid of Internet fanboys have movie studios become? It has been widely reported that this new installment in the superhero franchise is a deliberate rebuke to director Joel Schumacher's beyond-campy Batman Forever and Batman & Robin, and I couldn't be more on board with that; Schumacher managed to turn Warner Brothers' moody franchise into a half-assed Mardi Gras spectacle, minus the debaucherous fun. (Only in Schumacher's hands could Uma Thurman come off as a depressed drag queen.)

Leonardo DiCaprio in The AviatorTHE AVIATOR

Martin Scorsese's The Aviator, which covers two decades in the life of entrepreneur Howard Hughes, is a skillful, beautifully designed bio-pic, engaging and occasionally thrilling, and, despite a two-and-three-quarter-hour running time, it's remarkably easy to sit through.

Steve Martin, Queen Latifah, and Eugene Levy in Bringing Down the HouseBRINGING DOWN THE HOUSE

Since she executive-produced the film, I shouldn't feel too badly for Queen Latifah in Bringing Down the House; she obviously knew what she was getting into.

Meryl Streep and Ed Harris in The HoursTHE HOURS

Stephen Daldry's The Hours is so meticulously crafted, so assured in its conception, and so insistent on its themes and motifs that it's bound to drive a lot of people bananas.