Uma Thurman and John Travolta in Be CoolBE COOL

Granted, I've missed a few of the year's more high-profile flicks - Are We There Yet?, White Noise, Son of the Mask, that thing with the Heffalumps - but, in general, the releases I have viewed have been so crummy as to be some kind of joke. (The Citizen Kane of the group would actually be the remake of Assault on Precinct 13, which should tell you everything you need to know about Hollywood's output in early 2005.) But, with the arrival of Be Cool, the joke is no longer funny. Be Cool is worse than Elektra. Hell, it's worse than Alone in the Dark. I literally can't remember the last time I left a screening feeling so angered by the waste of time and talent onscreen; it's the sort of smug, lazy Bad Movie that puts you in a foul mood for the rest of the day.

Hugh Jackman in Van HelsingVAN HELSING

Stephen Sommers' action thriller Van Helsing, the first of 2004's torrent of summer blockbusters, is big, loud, frenetic, and almost no fun at all. For those who've missed the omnipresent previews, the film is a special-effects bonanza featuring Hugh Jackman as the titular character, a taciturn growler who spends 130 minutes attempting to rid his corner of Europe from a series of CGI-created monsters, and it's all treated with such solemnity that I wouldn't have been surprised to see Henrik Ibsen listed as a screenwriter.