Russell Crowe and Paul Giamatti in Cinderella ManCINDERELLA MAN

Every time Hollywood releases a prestigious drama between June and August - Saving Private Ryan, The Road to Perdition, Seabiscuit - a big deal is made about whether audiences are "ready" for weightier fare in the summer months, as if the movie-going public, en masse, annually says, "But it's summer vacation! I don't want to think!" To my mind, this question of "Will audiences show up?" is a mostly pointless one, because (1) these movies don't expect you to think much, and (2) they generally go on to earn a bundle, having cornered the market on cineplex heft.

Viggo Mortensen in HidalgoHIDALGO

As family-friendly adventures go, the Disney-produced western Hidalgo isn't all that bad, but it sure could have used a feistier directorial spirit, something like what Gore Verbinski brought to last summer's Pirates of the Caribbean.

Kevin Costner and Robert Duvall in Open RangeOPEN RANGE

What will it take for Kevin Costner to give a performance again? His new movie, the western Open Range, which he also directed, has a lot going for it - beautiful camerawork, impressive editing, a strong, simple storyline, a marvelously cantankerous Robert Duvall - yet smack at the center is sweet, dear, painfully inadequate Kevin Costner, looking and sounding so uninvolved with his surroundings and his fellow actors that he weakens his entire film. (It took great restraint to laugh at him only once, at his hysterically unmotivated reading of the cowpoke classic "Let's rustle up some grub.") Some will argue that Costner is actually deeply in character, playing an uncivilized man for whom conversation and companionship offer little comfort, but look at him onscreen: His Zen blankness is indistinguishable from a coma, and his "concentration" resembles nothing so much as a somnambulist struggling to stay awake. As usual, Costner is fine with rare moments of fringe comedy - reminding us why we once liked him in movies like Bull Durham and Field of Dreams and Tin Cup - but he's positively deadly in Open Range, and not because of his character's prowess with a gun.

SeabiscuitSEABISCUIT

Seabiscuit arrives as such a breath of fresh air - an inspirational period piece in a sea of noisy, formulaic action drivel - that you wish to God the movie was better than it actually is.