Penelope Cruz and Matthew McConaughey in SaharaSAHARA

I was probably predisposed to dislike Saraha because of my natural aversion to Sand Movies - seeing that much beige and ochre onscreen generally puts me to sleep within five minutes - but the problems with this action-adventure don't stop with its lack of a distinctive color palette; nearly everything about the movie is beige.

Irma P. Hall and Tom Hanks in The LadykillersTHE LADYKILLERS

Just about every Coen brothers comedy is more enjoyable on a second or third (or fourth or fifth) viewing than it is on a first; once you adjust to Joel's and Ethan's Byzantine plotting, affected wordplay, and in-your-face staging - culminating in a style that can make their works seem, initially, show-offy and too quirky by half - the brothers' filmmaking exuberance eventually wears down your resistance, and their scripts feature some of the funniest non sequiturs you'll ever hear. (Nearly every movie fan I know can recite reams of dialogue from Raising Arizona and Fargo and O Brother, Where Art Thou?.) The Ladykillers, the Coens' adaptation of a 1955 Alec Guinness comedy, is mostly on the hit side of hit-or-miss, and I'm guessing that it, too, will eventually become a beloved treasure trove of quotable quotes, mostly because, on a first go-around, it takes diligence to decipher exactly what Tom Hanks is saying in it.

HulkHULK

There are scenes of sublime directorial craftsmanship and exquisite beauty in the latest Ang Lee film, which should surprise no one familiar with Lee's oeuvre but might shock the masses lining up to see a Summer Blockbuster entitled Hulk.

George Clooney and Sam Rockwell in Confessions of a Dangerous MindCONFESSIONS OF A DANGEROUS MIND

George Clooney's directorial debut, Confessions of a Dangerous Mind, plays like the funny, ironic companion piece to A Beautiful Mind, and the new film shrewdly, and hysterically, plays off your knowledge of Ron Howard's Oscar-winning opus.