10 Dec 2008

Record Players: "Cadillac Records," "Punisher: War Zone," and "Transporter 3"

By Mike Schulz

Jeffrey Wright in Cadillac RecordsCADILLAC RECORDS

At roughly 105 minutes, writer/director Darnell Martin's Cadillac Records is so jam-packed with character, story, incident, and musical interludes that it sometimes feels as though six or seven movies are being projected on the screen simultaneously. This is not meant as an insult. Films that overreach oftentimes give audiences too much of a fine thing, yet Cadillac Records is just enough of a really fine thing - a soulful, impassioned, beautifully enacted drama that delivers all the pleasures of the musical-bio-pic genre without the obviousness and sanctimony.

07 Mar 2005

"Be Cool" a Maddening Waste of Time and Talent: Also, "The Jacket" and "Cursed"

By Mike Schulz

Uma Thurman and John Travolta in Be CoolBE COOL

Granted, I've missed a few of the year's more high-profile flicks - Are We There Yet?, White Noise, Son of the Mask, that thing with the Heffalumps - but, in general, the releases I have viewed have been so crummy as to be some kind of joke. (The Citizen Kane of the group would actually be the remake of Assault on Precinct 13, which should tell you everything you need to know about Hollywood's output in early 2005.) But, with the arrival of Be Cool, the joke is no longer funny. Be Cool is worse than Elektra. Hell, it's worse than Alone in the Dark. I literally can't remember the last time I left a screening feeling so angered by the waste of time and talent onscreen; it's the sort of smug, lazy Bad Movie that puts you in a foul mood for the rest of the day.

17 Feb 2004

"50 First Dates" Leave Nothing but Despair: Also, "The Cooler" and "Barbershop 2: Back in Business"

By Mike Schulz

Drew Barrymore and Adam Sandler in 50 First Dates50 FIRST DATES

Adam Sandler's 50 First Dates is about a man who falls in love with a woman suffering from short-term memory loss, a condition the filmmakers must think afflicts their audience as well.

17 Sep 2002

Williams Only Scratches the Surface in "One Hour Photo": Also, "Barbershop"

By Mike Schulz

Robin Williams in One Hour PhotoONE HOUR PHOTO

One Hour Photo has a simple, juicy premise that's just right for an art-film creepshow. The meek, late-middle-aged nebbish Sy Parrish (Robin Williams) has, for 11 years, run the photo lab at the California discount store Sav-Mart and has become inordinately fond of his regular customers, the Wilsons.

29 Aug 2000

Finally! A Great Movie! (And Two More Crummy Ones...): "The Original Kings of Comedy," "The Cell," and "Bless the Child"

By Mike Schulz

D.L. Hughley, Cedric the Entertainer, Steve Harvey, and Bernie Mac in The Original Kings of ComedyTHE ORIGINAL KINGS OF COMEDY

If The Original Kings of Comedy, the filmed preservation of the wildly popular comedy revue, were merely as funny as it is, it would probably stand as the best American movie of the year so far. But director Spike Lee has done something incredibly savvy with the project. Aided by the terrific editor Barry Alexander Brown, Lee has given the material true cinematic fluidity. The editing rhythms are all right on, the camera is always right where it should be to give the performers their biggest laughs (and it seems that Lee has about a hundred different cameras at his disposal), and there are just enough segments with the performers joshing and relaxing off-stage to give the film true dimension; we're aware that their stand-up personas only hint at who they are.

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