Liev Schreiber and Daniel Craig in DefianceDEFIANCE

Am I the only person who wishes that Edward Zwick would go back to making sharp, bitchy comedies like his 1986 Rob Lowe-Demi Moore romance About Last Night...? The director's latest - the action drama Defiance - tells the astonishing, true-life story of the Bielski brothers, who hid hundreds of fellow Jews in a makeshift Lipicza?ska Forest camp during World War II, and who managed to fend off Russian officers and German armies through innovation, daring, incredible bravery, and a well-stocked supply of artillery. With Daniel Craig and Liev Schreiber as the ideologically warring siblings Tuvia and Zus Bielski, Defiance is impassioned and serious and God knows it's sincere, and it wasn't until about 45 minutes had passed that I realized I no longer watch Edward Zwick movies; I endure them.

Katie Holmes and Aaron Eckhart in Thank You for SmokingTHANK YOU FOR SMOKING

Jason Reitman's Thank You for Smoking, adapted from Christopher Buckley's satiric novel, doesn't have much visual flair, but one recurring image in the film lends it worlds of variety: Aaron Eckhart's smile.

Will Smith and Kevin James in HitchHITCH

As Hollywood romantic comedies go, the Will Smith vehicle Hitch isn't bad, which, unfortunately, isn't the same as actually being good. But judging by the film's sensational box-office intake - not to mention the enthusiastic audience response at the screening I attended (people actually applauded throughout) - no one seems much bothered by the movie's mediocrity; many viewers prefer a romantic comedy that doesn't challenge or excite them in the least to films such as Before Sunset and Eternal Sunshine of the Spotless Mind and Sideways, works that understand and explore the nature of romance in ways that feel revelatory.

Billy Bob Thornton, Peter Boyle, and Heath Ledger in Monster's BallMONSTER'S BALL

In Marc Forster's sterling drama Monster's Ball, Halle Berry portrays Leticia Musgrove, the wife of a convicted murderer (Sean Combs), who takes the graveyard shift of an all-night Georgia café to support herself and her pre-teen son (Coronji Calhoun). One of her repeat customers is corrections officer Hank Grotowski (Billy Bob Thornton), son of an unrepentant racist (Peter Boyle) and father of a damaged, depressed son (Heath Ledger). Through a series of tragedies, Leticia and Hank find spiritual and sexual solace in each other's company, and Monster's Ball asks the question that, sadly enough, must still be asked in modern-day America: Can black and white find a middle ground and truly exist in harmony?