Jack Black and Mos Def in Be Kind RewindBE KIND REWIND

It's easy to enjoy writer/director Michel Gondry's Be Kind Rewind, but it's not the sort of enjoyment that lasts longer than your drive home from the cineplex, and the disappointment of the movie is that you really want it to be.

Shrek the ThirdSHREK THE THIRD

Shrek the Third finds its computer-animated ogre undergoing something of a mid-life crisis, and based on the evidence here, so is the series itself. In contrast to the constant hyperactivity and relentlessly aggressive pop-culture references of the first two Shrek films, this latest offering is notable for its distinct lack of aggression; the film hasn't completely shucked off the qualities that made its forbears such (literal) monster hits, but on occasion, it actually takes the time to curtail its smart-alecky, type-A tendencies and just breathe. In doing so, it stands as my favorite Shrek movie to date. Unfortunately, that isn't high praise.

Martin Lawrence, Tim Allen, John Travolta, and William H. Macy in Wild HogsWILD HOGS

I try. Honest to God, when sitting in a crowded auditorium, watching a charmless, lazy, ridiculously unfunny movie such as Wild Hogs, I try to get on the audience's wavelength and figure out what it is that's making them howl with laughter.

Jon Heder, Rob Schneider, and David Spade in The BenchwarmersTHE BENCHWARMERS

The audience laughter at The Benchwarmers chilled me to the marrow. What in God's name are we allowing to pass for "children's entertainment" these days? Dennis Dugan's "comedy" is about a trio of aging dweebs (Rob Schneider, David Spade, and Jon Heder) who - seeking retribution for their childhood humiliations - arrange to play in a Little League tournament, and it's better for everyone's mental health that I ignore the logistics of the plotting.Suffice it to say that the film is an empowerment fantasy for middle-aged booger-eaters everywhere. But it isn't geared toward adults. (At least, not adults with IQs in the triple digits.) The Benchwarmers is a diversion aimed squarely at kids, and as such, it's almost unspeakably repellent - the movie is so hateful that you want to file a restraining order against it.

Denzel Washington and Jodie Foster in Inside ManINSIDE MAN

Spike Lee's Inside Man, with its script by Russell Gewirtz, might look like a conventional blockbuster, but it has been structured with incredible finesse. Ostensibly, the movie is a standard heist thriller: Clive Owen and a trio of accomplices take over a Manhattan bank, hold the tellers and customers hostage, and - after news of the robbery breaks - make demands to Denzel Washington's negotiator.