Clive Owen and Julianne Moore in Children of MenCHILDREN OF MEN

The year is 2027, and the world is in chaos. Scratch that: The world is chaos. For nearly 20 years, women have been infertile, and the planet's youngest citizen has just been murdered at the age of 18. Random bombings and guerrilla warfare have become an element of daily life - a newscast shows "the siege of Seattle" entering its 1,000th day - and internment camps are as commonplace as coffee shops. In England, refugees are routinely rounded up for deportation and execution. And it is in this hopeless, unspeakably dangerous universe that director Alfonso Cuarón, in Children of Men, has fashioned one of the most supremely intelligent, forceful, and exhilarating movies of recent years.

Heath Ledger and Matt Damon in The Brothers GrimmTHE BROTHERS GRIMM

Fairy tales, at their core, exert a powerful emotional pull, and at rare moments in Terry Gilliam's The Brothers Grimm, the director finds a visual equivalent to their hypnotic, wicked appeal. In this typically unclassifiable Gilliam excursion, the first glimpse of Little Red Hiding Hood traipsing through the gloomy forest is enough to give any adult viewer a shiver. Gilliam frames her entrance, and the later arrival of Hansel and Gretel, with ominous portent, the colors - that cape and hood especially - are enticing, and the forest sets have a creepy, storybook elegance. For the briefest of moments, you're a kid again, enraptured by the haunting, suggestive simplicity of these stories; our first sightings of Little Red, Hansel, and Gretel bring with them a spark of tingly joy.