Jonathan Rhys Meyers and Freddie Highmore in August RushAUGUST RUSH

There's a scene in the tear-jerker August Rush in which the titular musical prodigy (Freddie Highmore) and a friendly Irish rocker (Jonathan Rhys Meyers) - unaware that they're father and son - engage in a happy bit of dueling guitars in Central Park, their matching grins widening as the improvised strumming reaches its climax. It's a great moment, and I mention it because it's the only one in the film that I didn't find excruciating.

Penelope Cruz and Matthew McConaughey in SaharaSAHARA

I was probably predisposed to dislike Saraha because of my natural aversion to Sand Movies - seeing that much beige and ochre onscreen generally puts me to sleep within five minutes - but the problems with this action-adventure don't stop with its lack of a distinctive color palette; nearly everything about the movie is beige.

Sulley in Monsters, Inc.MONSTERS, INC.

Saying that Pixar's Monsters, Inc. is the weakest of its quartet of computer-animated feature films is like bitching that you got a Jaguar for Christmas when you really wanted a Porsche; instead of achieving the genius-level greatness of the Toy Story films and A Bug's Life, the studio's new work is just brilliantly designed, cleverly plotted, and funny as all get-out. What's to complain about?

Johnny Depp in From HellFROM HELL

You can be forgiven for assuming that From Hell, Allen and Albert Hughes' re-telling of the Jack the Ripper saga (based on the immensely popular graphic novel), is a follow-up to Tim Burton's Sleepy Hollow, what with its previews focusing on a shadowy murderer, lots of fog and mist, Johnny Depp's investigator speaking in a British accent (Cockney this time), and Heather Graham in the Christina Ricci role of the Corseted Love Interest.