Reese Witherspoon and Vince Vaughn in Four ChristmasesFOUR CHRISTMASES

In the spirit of those magical pre-Thanksgiving treats Fred Claus, Deck the Halls, and Christmas with the Kranks, director Seth Gordon's Four Christmases is Hollywood's annual, star-filled affair that celebrates the joys of the holidays through wisecracks, gaudy colors, pummeling "comic" violence, and occasional projectile vomiting. It differs from its predecessors, though, in one notable regard: It doesn't suck. At least not completely.

Robert Downey Jr. in Iron ManIRON MAN

I'd love to tell you about the numerous, big-budget action sequences in Iron Man, the first of the many, many special-effects-laden extravaganzas hitting multiplexes this summer. But a day-and-a-half after seeing the movie, I don't remember much about them. I know there was an early scene in which the Iron Man prototype attacked an Afghan army with flamethrowers before whooshing his way to safety, and a scene where the new-and-improved version evaded American fighter jets, and a climax featuring our metal-plated hero battling a hulking creature with the body of a tank and the voice of Jeff Bridges. Beyond that, though, they're mostly a blur.

Paul Giamatti and Vince Vaughn in Fred ClausFRED CLAUS

As crass, demeaning, insufferable holiday-themed comedies go, Fred Claus is a little bit better than The Santa Clause 3, Deck the Halls, Surviving Christmas, and Christmas with the Kranks. (This faint praise might also extend to examples released before 2004, but I've succeeded in blocking those titles from memory.) It's also a little bit worse than 80 percent of the movies I've seen this year.

Vince Vaughn and Jennifer Aniston in The Break-UpTHE BREAK-UP

There are a whole bunch of different movies circulating within the Vince Vaughn/Jennifer Aniston comedy The Break-Up, and every single one of them is more enjoyable than the one they're stuck in. Director Peyton Reed's film concerns the battle of wills that commences once Vaughn's Gary and Aniston's Brooke decide to split, but here are five of The Break-Up's subplots that, I'm guessing, would have made for far more entertaining feature-length viewing

Brad Pitt and Angelina Jolie in Mr. & Mrs. SmithMR. & MRS. SMITH

If it accomplished nothing else, Mr. & Mrs. Smith would easily nail a primal attraction for going to the movies: Getting to spend two hours staring at people who are infinitely better-looking than we are.

Matt Damon in The Bourne IdentityTHE BOURNE IDENTITY

I have a lower threshold for international spy thrillers than most people, yet I must admit that I found The Bourne Identity, based on Robert Ludlam's 1980 bestseller, pretty damned enjoyable.

Johnny Depp in From HellFROM HELL

You can be forgiven for assuming that From Hell, Allen and Albert Hughes' re-telling of the Jack the Ripper saga (based on the immensely popular graphic novel), is a follow-up to Tim Burton's Sleepy Hollow, what with its previews focusing on a shadowy murderer, lots of fog and mist, Johnny Depp's investigator speaking in a British accent (Cockney this time), and Heather Graham in the Christina Ricci role of the Corseted Love Interest.