Steve Carell in Evan AlmightyEVAN ALMIGHTY

Thank God for lowered expectations.

I adore Steve Carell, and so I was initially jazzed about Evan Almighty, as director Tom Shadyac's sequel was a vehicle for the comic who handily stole 2003's Bruce Almighty away from hard-working star Jim Carrey. Yet after I saw the trailer, my excitement quickly turned into dread. Not only did the three-minute preview appear to give away every second of the movie - it showed the climactic flood approaching, for Pete's sake! - but the sight of a gray-bearded, robe-attired Carell looking benevolent while surround by all those cu-u-u-ute animals instantly set off my gag reflex; watching brilliant comedians sell out in witless kiddie flicks is to be expected, yet I was praying that it wouldn't happen with Carell. (At least, I was praying that it wouldn't happen again - does anyone else recall the actor's involvement in the 2004 atrocity Sleepover?)

Will Ferrell and John C. Reilly in Talladega Nights: The Ballad of Ricky BobbyTALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY

The Will Ferrell spoof Talladega Nights: The Ballad of Ricky Bobby, like the actor's Anchorman: The Legend of Ron Burgundy, is less a movie than a sketch-comedy figure with a little bit of movie draped around him. And despite its narrow conceit - again, just like Anchorman - it isn't bad at all.

John Hawkes, Ray Liotta, Amanda Peet, and John Cusack in IdentityIDENTITY and CONFIDENCE

By some bizarre coincidence, this past weekend saw the arrival of two new films, Identity and Confidence, that share an almost frightening number of similarities.

Eminem in 8 Mile8 MILE

8 Mile is the most artistically successful crowd-pleaser the movies have given us in ages, a hip-hop Rocky that, incredibly, refuses to pander.

Nicole Kidman in The OthersTHE OTHERS

Alejandro Amenabar's ghostly The Others feels like the film version of some beautifully chilling short story by Lovecraft or Shirley Jackson, where "Boo!"-style thrills take a back seat to dread and psychological complexity; it's a savvy, entertaining piece.

Ben Affleck and Gwyneth Paltrow in BounceBOUNCE

Writer-director Don Roos might never be a great filmmaker - his staging is obvious in that Kevin Smith way (a lot of two-shots of characters talking) and there's no real visual life on display. But he's wonderful with actors, and he has a great ear for dialogue, writing realistic lines that can flip in a moment's notice to something truly comic or poignant.