Jonah Hill and Russell Brand in Get Him to the GreekGET HIM TO THE GREEK

It probably says less about the movie than our current movie culture when I say that, for my money, Nicholas Stoller's Get Him to the Greek is the smartest, shrewdest, and overall best film I've yet seen in 2010. The competition, after all, is in no way fierce; if forced to compose a 10-best list at this admittedly early point in this regrettably weak year, I'd include Stoller's raunchy comedy, Roman Polanski's The Ghost Writer, and then respectfully plead the Fifth.

Meryl Streep in DoubtDOUBT

Based on his Pulitzer Prize-winning play, writer/director John Patrick Shanley's period drama Doubt - set in 1964, and concerning a nun who suspects a priest of sexual misconduct with an altar boy - isn't much of a movie. Shanley's previous directorial effort was 1990's Joe Versus the Volcano, and it's a shame he wasn't able to get in more practice over the last 18 years; in an attempt to gussy up the visual blandness that accompanies most theatrical adaptations, Shanley opts for a series of high- and low-angle shots and symbolic thunder, lightning, and wind effects that oftentimes make Doubt resemble a satire of a low-budget horror flick. And it's still visually bland.

Mila Kunis and Jason Segel in Forgetting Sarah MarshallFORGETTING SARAH MARSHALL

Director Nicholas Stoller's Forgetting Sarah Marshall is a happy movie about misery, but during its first half hour or so, the film's rhythms are so unusual that you might not be sure what it is.