Jessica Teckemeyer, 'Fawn or Foe'

Jessica Teckemeyer's Fawn or Foe is both a cuddly creature and a disturbing monster, with a lifelike aura that defies the porcelain from which it's formed. In this year's Rock Island Fine Arts Exhibition, the piece stands out as a strong marriage of technique and subtext.

Similarly, Kristin Quinn's Flyway offers a modern sensibility and expression that differentiate it from an exhibition full of technical skill yet often lacking stylistic flair, nuance, and ambiguity.

While those two works are exceptional, there's also a strong vein of realism in the show, and several artists conjure meaning through an abstract approach - but without quite reaching the resonant standard set by Teckemeyer and Quinn.

Featuring 51 pieces by 40 artists within a 150-mile radius of the Quad Cities, the 36th-annual exhibit is on display in Centennial Hall at Augustana College through April 22. Juror Joseph Mella, the director of the Vanderbilt University Fine Arts Gallery in Nashville, Tennessee, awarded prizes sponsored by the Rock Island Art Guild and Augustana College.

Leslie Bell, 'Little Guilders'

You can't miss Leslie Bell's Little Guilders. His generous use of blazing hot pink and graffiti-style drips with neoclassical nudes is a compelling and somewhat mysterious blend of figurative, narrative, and abstract painting. Of the 56 works in the 35th Annual Rock Island Fine Arts Exhibition, vivid and conceptually layered two-dimensional work such as this dominates the walls, with comparatively small yet graceful three-dimensional pieces serving as complements.

The annual exhibition, in Centennial Hall at Augustana College through May 1, includes artists who live within 150 miles of the Quad Cities and awards more than $3,000 to 10 top-judged works. This year's show was juried by Dan Mills, an artist and the director of the Samek Art Gallery at Bucknell University in Pennsylvania.

About half the work Mills selected is exceptionally strong, balancing technique, aesthetic, and ideas. The remainder demonstrates technical skill but lacks the innovation or conceptual intrigue of the exhibit's best pieces.