Was it justice or discrimination? That is what you'll likely be asking yourself after leaving St. Ambrose University's production of Parade. It takes a mature, professional cast to pull off a musical centered around racism, bigotry, and murder, but these actors do just that. Director Daniel Rairdin-Hale brings the true story of the trial of Leo Frank and its aftermath to life in such a way that I entirely forgot I was at a student production, and Thursday night's dress rehearsal was as close to show-ready as possible.
[For Thom White's review of part one of the District Theatre's Angels in America, visit "
With its emotional language and poetic imagery, Tony Kushner's Angels in America - the playwright's "gay fantasia on national themes" composed of two parts subtitled Millennium Approaches and Perestroika - is among my favorite scripts. And there are times at which the District Theatre's production of Millennium Approaches nails the nuances of Kushner's writing, allowing the beauty of his intent to be on full display.Subscribe & Listen to Reader Podcasts
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