Vicki Lawrence as Thelma HarperFor more than 30 years, Emmy-winning performer Vicki Lawrence has been best known for her signature character of Thelma "Mama" Harper, the snippy, drawling, and incredibly lovable matriarch she played opposite Carol Burnett, Harvey Korman, and Tim Conway on the long-running variety series The Carol Burnett Show. She subsequently revived the role for seven seasons on the sitcom Mama's Family, and both shows - to say nothing of the role itself - have proven so enduringly popular that Lawrence has a pretty fair idea of what age group Mama most appeals to nowadays: All of them.

"She's really never been off the air since she went on the air," says Lawrence. "I mean, [Mama's Family] has run and run in reruns like the little Energizer Bunny. So the demographic of my audience is just incredible. I mean, it can be 90-year-old men and it can be 20-year-old college kids."

On February 12, this comedic Energizer Bunny - and the Emmy-winning star who plays her - will perform at Bettendorf's Quad-Cities Waterfront Convention Center in Vicki Lawrence & Mama: A Two-Woman Show, and during our recent phone interview, Lawrence discussed Thelma Harper's ceaseless popularity, the influence of late co-star Korman, and the abandonment of Lawrence's youthful dream of one day marrying a rich dentist.

Eddie Staver III and Andrew Harvey in True WestThe Harrison Hilltop Theatre's opening-night production of True West, Sam Shepard's savage sibling-rivalry comedy, was an almost ridiculous amount of fun. Yet I'm hesitant about describing how much fun it was, because it's doubtful - if not impossible - that subsequent audiences will be witness to the astounding, downright magical blend of accident and inventive improvisation that accompanied Thursday's presentation. Unless, that is, actor Andrew Harvey is again able to pull off that bit with the spoon. And actor Eddie Staver III is again able to make the slice of bread stick to the wall. And the cuckoo clock is repaired.

Eliza Bockstahler and Liz Stigler in The Learned LadiesSet in 17th Century France, Augustana College's production of the Molière comedy The Learned Ladies takes place in the salon of a Paris manor, and among the first things you notice about Adam Parboosingh's scenic design are the stacks of books standing five feet high from the floor. It's actually impossible not to notice them, as the (prop) books have been painted in a variety of bright colors that make them resemble oversize, rectangular Skittles, or perhaps the reading material for Belle's library in Disney's Beauty & the Beast. They're certainly eye-catching, but there's no way anyone could mistake them for, you know, real books, and The Learned Ladies itself turns out to be a lot like them - deliberately artificial, kind of amusing, and, unfortunately, pretty much divorced from real-world experience.

the No Budget TV logoC.J. Crawford, creator of the local YouTube series No Budget TV, has a lot of people to thank for his sketch comedy's burgeoning popularity: co-writer and collaborator Joe Lee; the friends and musicians who participate without pay; the 100-plus subscribers to the series' channel.

But whether she knows it or not, there's one other person to whom Crawford owes a debt of gratitude: Miley Cyrus.

Justin Droegemueller, Amberly Rosen, and Buddy Olson in Ring of FireFriday's sensational opening-night presentation of Ring of Fire, the Johnny Cash tribute currently playing at the Circa '21 Dinner Playhouse, was the beneficiary of an awful lot of goodwill before the production even started, and very little of it actually had to do with Johnny Cash.

Don Hazen and Dee Canfield in The MousetrapIf you haven't yet attended a production of the show, Agatha Christie's murder mystery The Mousetrap - which has been running in London's West End for more than 56 years now - is definitely worth a look-see. Boasting ripe British caricatures and the author's signature brand of mordant wit, this clever, funny play is one of Christie's most enjoyably constructed contraptions.

If, however, you have seen The Mousetrap before, you'll still find plenty to enjoy in the Playcrafters Barn Theatre's current presentation of the piece ... even if the most enjoyable aspects of director Tristan Layne Tapscott's production are ones I can't get into here (at least not without plastering SPOILER ALERT at the top of every paragraph).

Cara Crumbley, Tyson Danner, Sarah Ulloa, and Steve Quartell in Songs for a New WorldThe current production of the musical revue Songs for a New World features a winning, frequently exemplary quartet and some excellent design ... and, in all honesty, I doubt I'd have enjoyed this Green Room Theatre presentation nearly as much as I did had it actually been performed at the Green Room Theatre.

Mark L. Lingenfelter in The Santaland DiariesI love David Sedaris' writing, but on those rare occasions when I've heard the author read from his works on National Public Radio, I can only listen to him for a few minutes before feeling compelled to change the station. It's not that his high, reedy voice is unpleasant, exactly. But the caustic self-deprecation and derision that can make his stories so wickedly funny strike me as whiny and ungainly when Sedaris himself vocalizes them, and when he indulges in sentiment, his attempts at honest emotion ring hollow. (His "heartfelt" moments don't sound noticeably different from his sardonic diatribes.) This isn't a huge failing - Sedaris, after all, is a writer, not a performer - yet I still find that a little of him, vocally, goes a long way.

Sean Tweedale in Seussical Jr There is officially too much theatre in the area.

Not for me, mind you. Just for this week's issue of the Reader. Although the print edition does feature the article "The Essentials 2008: A Dozen Names to Remember," which hopefully provides a rough idea of the extraordinary wealth of talent found on the local stage scene in 2008, there was still plenty more that needed be said (and plenty more photos that needed be shared).

Essentials Tyson Danner (left) and James Bleecker (standing), with Jackie Madunic and Jason Platt, in Angels in America: Perestroika For the third year in a row, I've composed a list of 12 area-theatre participants who devoted their time, energy, and skills to numerous theatrical organizations and venues during the past year. And once again - happily and inspiringly - it hasn't been necessary to repeat names from one year to the next; local theatre, to the great good fortune of local audiences, never seems to run out of talent.

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