Local playwright Chris Jansen recently caught the eye of the media with her innovative musical Journey for a Reason, which is being performed by New Ground Theatre (and directed by the author) through Sunday at Rivermont Collegiate in Bettendorf. But credit should also be given to the young performers in Jansen's theatrical creation; most of them are college students, and one is just starting sixth grade.
Though senior citizens, religion, sex, love, and the timely battle between good and evil are all poked fun at in Circa '21's current show, playgoers should be prepared to see more than just a lighthearted comedy. Almighty Bob is quite a funny play, but it also lifts the veil from the element that is our ever-present fear - death - and gives us the playwright's take on how life and death work.
New Ground Theatre, which this season has produced the Pulitzer Prize-winning plays Wit and Proof, will next month stage a musical about teen suicide. Not only that, but the script of said musical was written by the company's artistic director, Chris Jansen.
When Nancy Heerens-Knudson was diagnosed with breast cancer in 1985, her son - who was in kindergarten at the time - thought she was in the hospital for an elbow problem. He didn't know about the breast cancer until he was in sixth grade.
Riverside Theatre's presentations of The Laramie Project have been sold out for the past two weekends, which in itself speaks for this powerful and brilliantly crafted play. Protests are even scheduled outside the Iowa City theatre on Saturday, April 12, in response to the play.

About a year ago, Genesius Guild members J.C. Luxton and Cait Woolley had an idea: to bring Shakespearean theatre to a more intimate space than the outdoor Lincoln Park venue in which the Guild performs every summer.

Not only is Eve Ensler's The Vagina Monologues sexy, witty, tragic, and downright hilarious, it's also quite an educational experience. For example, I learned the clitoris contains more than 8,000 nerve endings - which is twice as many as the penis. As one actor said, "Why have a handgun when you can have a semi-automatic?" Talk about woman power.
Love Letters isn't a typical stage production by the standards of contemporary acting. That's because it's not necessary for performers to act or even memorize A.R. Gurney's script; they just read it. The experience is a bit like listening to a book-on-tape, with the benefit of being able to watch the readers. Some audience members for Playcrafters Barn Theatre's current production - running weekends through January 26 - won't enjoy the lack of stage movement, but those who know what to expect beforehand will appreciate the well-written script.

David Auburn's 2001 drama Proof isn't a torpid Pulitzer winner. Though it did win that prize along with the Kesselring and Tony awards, Proof is suspenseful from start to finish and has often been compared to a detective novel.

With only one exception, the home of The Nutcracker in the Quad Cities has been the Capitol Theatre in downtown Davenport. "We love it there," said Joedy Cook, executive director of Ballet Quad Cities, the company that puts on the annual holiday production.

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